Delphi Complete Works of Leonardo da Vinci Quotes

“The portrait was stolen on 21 August 1911 and the Louvre was closed for an entire week to aid the investigation of the theft. French poet Guillaume Apollinaire, who had once called for the Louvre to be burnt down, was arrested and put in jail. Apollinaire tried to implicate his friend Pablo Picasso, who was also brought in for questioning, but both were later released and exonerated. At the time, the painting was believed to be lost forever, and it was two years before the real thief was discovered. Louvre employee Vincenzo Peruggia had stolen it by entering the building during regular hours, concealing himself in a broom closet and walking out with it hidden under his coat after the museum had closed. Peruggia was an Italian patriot, who believed Leonardo’s painting should be returned to Italy for display in an Italian museum. Peruggia may have also been motivated by a friend who sold copies of the painting, which would skyrocket in value after the theft of the original. After having kept the painting in his apartment for two years, Peruggia grew impatient and was finally caught when he attempted to sell it to the directors of the Uffizi Gallery in Florence. The painting was exhibited all over Italy and returned to the Louvre in 1913. Peruggia was hailed for his patriotism in Italy and served only six months in jail for the crime.”
― Peter Bryant, Delphi Complete Works of Leonardo da Vinci

“This portrait of a young woman is housed in the Louvre and is traditionally attributed to Leonardo. The painting’s title, applied as early as the seventeenth century, identifies the sitter as the wife or daughter of an ironmonger (a ferronnier). Some historians believe the title alludes to a reputed mistress of Francis I of France, who was married to a certain Le Ferron. According to a Romantic legend of revenge, the aggrieved husband Francis intentionally infected himself with syphilis, which he passed to the king through infecting his wife.”
― Peter Bryant, Delphi Complete Works of Leonardo da Vinci

“Leonardo built an ingenious scaffold in the Hall of Five Hundred that could be raised or folded in the manner of an accordion. This painting was to be his largest and most substantial work. Since he had suffered an almost disastrous experience in fresco painting with The Last Supper, he wanted to apply oil colours on the wall. He began also to experiment with a thick undercoat, which after he applied the colours, the paint began to drip. Trying to dry the painting in a hurry and save whatever he could, he hung large charcoal braziers close to the painting. Only the lower part could be saved in an intact state. But the upper part did not dry fast enough and the colours intermingled. Leonardo then abandoned the project. Michelangelo and Leonardo’s unfinished paintings adorned the same room together for almost a decade (1505-1512). The cartoon of Michelangelo’s painting was cut in pieces by Bartolommeo Bandinelli out of jealousy in 1512. The centrepiece of The Battle of Anghiari was greatly admired and numerous copies were made for decades. In the mid-16th century (1555-1572), the hall was enlarged and restructured by Vasari and his helpers, so that Grand Duke Cosimo I could hold his court in the chamber. During this transformation, several famous, but unfinished works were lost, including The Battle of Cascina by Michelangelo and The Battle of Anghiari by Leonardo.”
― Peter Bryant, Delphi Complete Works of Leonardo da Vinci

“Leonardo began painting Mona Lisa in 1503 or 1504 in Florence, working occasionally on the piece for four years, before moving to France. He worked intermittently on the painting for another three years, finishing it shortly before he died in 1519. Most likely through the heirs of Leonardo’s assistant Salai, the king bought the painting for 4,000 écus and kept it at Château Fontainebleau, where it remained until given to Louis XIV, who moved it to the Palace of Versailles. After the French Revolution, it was relocated to the Louvre. Napoleon I had the portrait moved to his personal bedroom in the Tuileries Palace, but it was later returned to the Louvre.”
― Peter Bryant, Delphi Complete Works of Leonardo da Vinci

“Also known as The Dreyfus Madonna, the Madonna of the Pomegranate has been attributed to Verrocchio and Lorenzo di Credi, as well as Leonardo. The anatomy of the Christ Child is so poor as to discourage firm attribution by most critics, while some believe that it is a work of Leonardo’s youth. This attribution was made by Suida in 1929. Other art historians, such as Shearman and Morelli, attribute the work to Verrocchio.”
― Peter Bryant, Delphi Complete Works of Leonardo da Vinci