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Train Go Sorry: Inside a Deaf World Train Go Sorry: Inside a Deaf World by Leah Hager Cohen
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“Like storytelling, that incessant loving rush of explaining and repositioning and telling again, all for the sake of finding something shared, something mutually recognized -- so interpreting seemed to me. It seemed a kind of goodness.”
Leah Hager Cohen, Train Go Sorry: Inside a Deaf World
“The involuntary poetry of one who is not fluent in the language.”
Leah Hager Cohen, Train Go Sorry: Inside a Deaf World
“ASL conveys the differences between subject and object as specifically as English does. It simply employs a change of direction rather than a change of pronouns or of sign order. Liz uses the grammar of ASL, which is perfectly clear and reasonable to the students, to teach them English grammar, which they find so unwieldy. The former is nothing they were ever taught; they acquired it naturally through use, just as hearing students understand how to form proper English sentences before they ever receive any formal instruction. This method ultimately serves two purposes. As the students learn the rules of English grammar, they are also receiving a subtler message: that ASL has an equally complex and worthy grammar, a grammar they have already mastered.”
Leah Hager Cohen, Train Go Sorry
“A dilemma arises when the interests of these deaf adults seem at odds with those of the schoolchildren—for instance, when satisfying the wishes of the former means providing inadequate services to the latter. Some would argue that because hearing people have always controlled the definition of adequacy, that concept is invalid. Others hold that any deaf candidate is preferable to a hearing candidate for a position working with deaf children.”
Leah Hager Cohen, Train Go Sorry