More Than Anything Quotes

“post-Derek, I glare at it like it’s an unwelcome intruder.”
― R.E. Blake, More Than Anything

“He looks at his watch again.”
― R.E. Blake, More Than Anything

“gives me a sad look. “They can’t.”
― R.E. Blake, More Than Anything

“the apartment surrounded by half-empty Pei Wei cartons.”
― R.E. Blake, More Than Anything

“for her to call a taxi and”
― R.E. Blake, More Than Anything

“brings more laughter. I say goodnight to Sebastian, who’s oblivious to everything but the board.”
― R.E. Blake, More Than Anything

“selected for basics on the first couple”
― R.E. Blake, More Than Anything

“I’ve seen on a reality show. Page after page of newspaper clippings of local events, sales, coupons, scrawled reminders cheerfully ignored, I’m sure…a litany of the collected leavings of a disturbed mind. I open the jewelry box, sort through the jumbled stuff, and find the one item I can remember her wearing when I was a child – a silver charm bracelet. I try it on my good wrist and it’s a fit. I have no use for the rest of the junk – cheap earrings and costume jewelry. There’s absolutely no hope that her wedding ring is in the box. Ralph would have pocketed that immediately since it was the only thing of value she would have passed on to me. I’m still a little freaked out over the whole Ralph-with-gun thing, and his threat is ringing in my ears as I consider the sad collection of trash that represents everything my mom accomplished and accumulated in almost forty years on the planet. I’ve always believed that we shouldn’t get too attached to our material possessions, but this is plain pitiful.”
― R.E. Blake, More Than Anything

“Now we’re back at the apartment surrounded by half-empty Pei Wei”
― R.E. Blake, More Than Anything

“We get to the city, and I have him”
― R.E. Blake, More Than Anything

“tour that I’ve still got my sunglasses on, like some kind of fading starlet. I take them off as he’s patting a rack of devices with knobs all over them. “And these are forty-eight tracks of Neve preamps. I use them on tracking and again on mix for some things. They really sweeten the bottom end. And you’d be amazed at how they work on ambient mics – for acoustic guitar and cymbals.” “That’s great,” I say, quickly running out of terms that don’t make me sound like somebody’s slow cousin. The actual recording room turns out to be three chambers: an isolation booth for vocals, a wood-paneled drum room, and a larger room with sound baffles everywhere for other instruments. There’s a Baldwin baby grand piano in one corner, gleaming like an ebony sentry in the overhead lights. If there’s one word for the studio, it’s ‘impressive.’ Sebastian is equally impressive, and his enthusiasm, his love for what he”
― R.E. Blake, More Than Anything