Twelfth Night Quotes

“For the first time in ten years, the March family gathered to perform the Twelfth Night Revels for the village of Blessingstoke, just as they had done in Master Shakespeare’s day. The dragon breathed fire while the Turkish Knight brandished his sword at St. George, and when it was finished, the resurrected saint and his sad dragon stood in tableau while the white-robed chorus, of which Portia and I made two, sang of the blood-berried holly and the sweetly clinging ivy. Rather like Brisbane and myself, I thought fancifully. Both evergreen and hardy, one sturdy, one tenacious, and forever undivided. But now there was a new little branch grafted to our union.”
― Deanna Raybourn, Twelfth Night

“I blinked at her. She was as composed as a mediaeval saint, wearing an expression of Eastern inscrutability. “Yes, child. The less you and I discuss about that particular episode, the better. Ask me again when you’re about to be married, and then we shall have a frank discussion.” “I shan’t marry,” she informed me coolly. “Never?” “Never. I mean to find some purposeful work. A husband would get in my way.” She was serious as the grave, but I knew better than to smile. “Perhaps you will. But life has a habit of changing your mind for you. Still, better you put that remarkable brain of yours to good use than feed it nothing more demanding than flower-arranging and playing the piano. Unless those are particular passions of yours,” I added hastily. She rolled her eyes. “I loathe music, and flowers make me sneeze.” “There you go. I was never very good at the feminine accomplishments, either.” “Perhaps it’s a family failing,” she suggested kindly.

-----

"That is a perfectly exceptional child,” Brisbane said when she was gone. “I think she must be what you were like as a little girl.” “I was never so—” I began. But then I thought about Perdita. A little odd, mistress of her own interests, curious, with a penchant for speaking her mind. “Yes, I suppose rather.” He smiled and put down his cup. He slapped his thighs, and I went to him, sliding onto his lap, my head fitting comfortably into the hollow of his neck. “I am very happy you are mine,” I told him. Brisbane produced his customary phrase for such occasions. “Show me.” And so I did.”
― Deanna Raybourn, Twelfth Night

“Brisbane said nothing for a long moment. Then he spoke, his voice resolved. “I will tell Morgan the Apiary cannot be. I will keep to private enquiry work. It isn’t much safer but it will keep me closer to home, I suspect. And we will need a bigger house than Mrs. Lawson’s in Half Moon. I will tell her we rescind the offer, and we’ll start looking for lodgings tomorrow.”

“No,” I said firmly.

“No?” One handsome black brow quirked upward.

“No. We must begin as we mean to go on. We are neither of us happy without purposeful work, and we shall have it. There will be those to care for him when we are not there, and he will learn the value of a job well done from both of us. We will move into Half Moon Street as we planned, and you will work with Morgan to form the Vespiary,” I said, stressing the correction. He smiled.
“And what will you do? You will never be happy with teething biscuits and silver spoons.”
“No more than you,” I agreed. “But I will do as I have done. I will organise our household because, let us be frank, my love, I am better at it than you. I will work with you on cases that interest me. I will advise on the Vespiary when you think I can be useful. I will have my photography. And we will have...” I hesitated then said it for the first time and with ringing conviction, “our son.”
He looked down at the sleeping boy. “Our son,” he said, and in his voice was a note of wonder.”
― Deanna Raybourn, Twelfth Night

“We arrived back at the Abbey hand in hand and in perfect amity. In the space of our short walk we had agreed upon a new career and a new style of living. We should embrace simplicity, at least a privileged and eccentric sort of simplicity. We would have rooms for consulting and photographic equipment as well as a sitting room and bedroom with further accommodation for Morag and Aquinas. A pair of guest rooms and another pair for a cook and maid would complete our domestic arrangements. That still left a few rooms unused, but I had little doubt we would eventually put them to good purpose. As to the work Brisbane proposed, I felt a thrill at the prospect of taking on such important and clandestine activities. There was much yet to be discussed, but I felt the new year had dawned full of expectant promise, and already it was being fulfilled.”
― Deanna Raybourn, Twelfth Night

“Brisbane’s nature tended towards the serious, but there was a graveness to his manner that told me he was speaking entirely from his heart. “I would like to work with Morgan. On a regular footing.” Sir Morgan Fielding. Secret advisor to the Prime Minister, my distant cousin, and Brisbane’s sometime employer in activities that could only be termed espionage . “You have given this a great deal of thought,” I temporised. “I have.” He began to walk, pulling me slowly along, his hand covering mine. “The threat in Germany grows. I don’t know how long we have, but something is stirring, something ugly and dangerous. Morgan is worried, too. He is in Berlin now.”
----
“Morgan is not terribly trusting at the best of times, even of us.”
“But you want to work for him.”
“With him,” he corrected . “Times are changing, and we both believe that the methods that have been used in the past will no longer serve. It’s time to create a new agency with new operatives, young minds that can be trained properly to sleuth out information and pass it back to London.”

“You have thought this through,” I said, a trifle tartly. “I suppose it even has a name.” “Morgan likes the notion of the industriousness of bees. He was thinking of calling it the Apiary.” I thought a moment then shook my head. “No. Call it the Vespiary. After a nest of wasps. They have a more ferocious sting. If we are going to take on Germany, let them know we mean it.” He stopped, openmouthed. “You’re serious. You raise no objection.”

“To what? You taking on dangerous work? You’ve done that since before I knew you. It was half the reason I fell in love with you, I expect. I could no more ask you to give up your work than I could hold back the tides. It is the stuff of which you are made.” He embraced me then, and when he drew back, my lips were tingling in the cold. “There’s something else,” he said.

“Tell me.”

“Morgan and I shall want your help.”

It was my turn to stare, mouth agape. “You mean it?”
“I do. You bungle into my cases with no method or order, and yet you have the instincts of a bloodhound. You understand people and what drives them. The Apiary will have need of people like you.”

I pressed a kiss to his cheek. “The Vespiary,” I corrected. He grinned.
“We shall see.” Just then he cocked his head. “And I would like to go up to the nursery and see the child.” I smiled in return.”
― Deanna Raybourn, Twelfth Night

“Instead, she gave Brisbane a tender look. “Mind you don’t wake the master. You’re not taking proper care of him. A wife ought to see her husband has a regular supper instead of stuffing him with toast and chocolate at all hours.” She banged out, and Brisbane opened an eye, grinning at me. I shoved his shoulder. “Stop. It isn’t decent that my lady’s maid should like you so much more than she does me.” “I am nicer to her than you are,” he pointed out.

---

Brisbane uncovered a dish to find something unappetising looking back at him. He poked it tentatively with a fork. “What do you think it is?” “I daren’t guess,” I told him. “The undercook must still be at the helm in the kitchens. Toast for me, thanks.” He covered the dish up again, and we fell on the toast. “I can’t live on bread, Julia. Not if you mean to ravish me so thoroughly. A man has to keep his strength up.” I pulled a face. “Why don’t we walk down to the vicarage? Uncle Fly has an excellent housekeeper. Aunt Hermia’s tried to hire her away for years, but she won’t leave her post.. She’s devoted to Uncle Fly.” Brisbane was on his feet before I finished the sentence. We donned our outdoor things and hurried out of the Abbey.”
― Deanna Raybourn, Twelfth Night

“My sister’s voice pierced the lovely morning hush of the bedchamber with all the delicacy of a gong. I reached out one finger to poke my husband’s naked shoulder. “Brisbane. Portia is here.” He heaved a sigh into the eiderdown. “You’re dreaming. Portia wouldn’t dare.” “Wouldn’t I?” she asked. “And, Julia, this is the first time I’ve seen your husband entirely unclothed. May I offer my congratulations?” With a violent oath, Brisbane flung himself under the bedclothes. “Modest as a virgin, I see,” Portia remarked. “Julia, I’m still counting. Silently. I’ve reached seven. Are you awake yet?” I flapped a hand at her but didn’t raise my head. “Eight.” Brisbane’s voice was muffled but distinct. “If you don’t leave this room, Portia, I will toss you out the nearest window. If memory serves, it’s forty feet down, and I won’t be gentle.” Portia clucked her tongue. “How high will you count?” “I won’t,” he told her flatly. He sat up, bedclothes pooling about his waist, grim determination etched on his face. Portia backed up swiftly. “Very well. But do hurry, both of you. You’re terribly late for the Revels rehearsal and two of our sisters have resorted to fisticuffs. Oddly, not the two you would think.” I sat bolt upright, and Portia winced. “For God’s sake, Julia, have a little shame and put your breasts away.”
― Deanna Raybourn, Twelfth Night