Steel Baton EDC Quotes

“Countering the Knife The knife attack is very serious, and easily fatal. Avoid a knife confrontation if at all possible. If you must confront the knife wielder, and are able to do so at a distance, draw both the ASP and the neck knife. You can start with Kick and Draw to get the expandable baton into play while keeping the opponent at bay with a low kick. Your basic strategy is to hit the opponent with the ASP from a distance. His kneecap is a good target, because it is hard to defend and if you damage his knee, it will become difficult for him to close in on you. The knife serves as a backup and a deterrent to keep him from rushing in on you, which is the obvious strategy against someone armed with a stick or baton. In close, you can execute Move 2, striking with the ASP at his forearm as you twist your torso. Hit with the empty hand or slash with the knife. The prison-style knife attack, wherein the attacker grabs and smothers with his lead free hand while repeatedly stabbing with the rear hand, is a simple yet deadly attack that is difficult to defend against. The most effective counter to the prison-style knife attack comes from Ray Floro. First of all, assume the existence of a knife. It is too easy to assume that you are in a fistfight and get surprised when you are stabbed. Many people who are cut or stabbed are unaware of the existence of a knife, and may perceive a thrust as a punch. So don't get surprised by a weapon in an opponent's hand –be looking for it. From the High Backhand Guard chop downward at the opponent's forearm, only add the live hand. Grasp the ASP with both hands in staff grip and repeatedly slam the attacker's forearm. The slams are parallel to the ground, forming a very powerful counter to the upward knife thrust. These multiple slams not only serve as a defense, but as an offense, damaging the opponent's weapon arm. The Vertical Strike From the High Backhand Guard, strike vertically, chopping straight down with the ASP. Like the horizontal chop, the left/live hand follows just behind the ASP as you strike, and retreats with it as you quickly retract it back your original start position in the high backhand guard. The vertical strike can be used to hit targets of opportunity, such as a hand or elbow, but it can also be used to defend against a horizontal attack, such as a swing with a bottle, a slash with a knife, or a kick. Don't think of the strike as a block, but as attacking the opponent's striking arm or leg.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“By extending both hands, the left hand is in a position to grip the baton in what I call “staff grip,” with both hands grasping the baton at both ends, palm down. In GM Estalilla's terminology, you can now slam, hitting the the opponent with the portion of the baton between your hands. This is also called a “bar strike.” This is potentially a very powerful move, which can be further strengthened by stepping forward with the left foot and slamming, while driving upward from your feet. Practice this strike on the heavy bag. Practice throwing multiple backhand chops, followed by a slam, driving into the bag and pushing it backward. Practice the snapping slam, wherein you burst out explosively to slam the bag, then quickly draw it back in. Train to throw multiple slams in quick, explosive bursts.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“From the slap your left hand will come down along the opponent's weapon arm. Rest with your left hand palm on the opponent's right thumb. What you want here is a crushing grip. Master Ed Planas had forearms that seemed larger than my calves, and brutal grip strength, which is key when grappling for a weapon. The right hand now turns palm up and also grasps the opponent's knife hand, in this case at the base of the fist with the fingers digging inside his palm. Step back with your left foot, dropping down as you twist both arms to your left. This creates a powerful outward wristlock. The opponent either goes down or his wrist is broken. By stepping back and down, you also position yourself where he cannot hit you with his left hand or use his left hand to help retain the knife.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“As long as you're wrestling for the knife, the guy with the knife has a HUGE advantage. A solid slap to the side of the head serves the vital role of disrupting the opponent's offensive mindset. As long as he's thinking, “Cut, cut, stab, slash, stab....” you're screwed. A solid thwap! to the side of the head is necessary to create a gap that you can exploit. Although GM Maranga has a different method of creating the gap, he is in total agreement that some sort of interruption is needed, something to jar the assailant out of his attack, or else you'll never succeed in disarming him. From the interview position, twist counterclockwise and swat the side of the opponent's head with the left palm. Coincidentally, this body twist is the same as that used to evade the knife. Like the hook punch, this blow is thrown with torque from the hips rather than movements of the arm and shoulder. Practice this on the focus mitt, with your partner holding the mitt in his left hand, canted upward at an angle. When you strike, do not hit with the fingers or the knuckle joints on the palm, but with the hollow of the palm. Like the elbow, don't push the hand, but whip it through. When you hit the pad correctly, you'll hear a deep, resounding thwap! Putting It All Together Like the first move, practice all of the elements individually, then slowly practice linking them all together. The twist, parry, and slap should all occur in one smooth, explosive movement. Have a partner thrust slowly with a dummy knife while holding the punch mitt in position for the slap. Gradually increase your speed and power. If all you have is these three elements –the twist, parry, and slap-- you've defended yourself and created a gap that you can exploit to get the hell out of there. When a knife is involved, don't be too proud to run.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“It may seem unnecessary to learn to evade the knife by twisting: After all, can't you just use your hand or hands to block? The twist may be a last ditch defense. Reality is that you may not detect a knife thrust until the last second, and you may not have time to get your hands in position. Also if your block or parry doesn't work, your evasive body twist is your backup. This body twist was an essential part of my instruction under Master Ed Planas and Grandmaster Maranga. The most deadly knife attack does not travel parallel to the ground in a straight line, but hooks upward like an uppercut, thrusting a blade up under the ribcage. This is devilish to block or parry, so getting the hell out of the way by means of the body twist is your best option. The Parry Once you have the body twist down, the next step is to add a downward parry with the right hand as you twist. Imagine karate chopping downward, not perpendicular to the opponent's forearm, but intersecting it at a slight angle. If you try to chop the forearm at a right angle, you have a very narrow window to intercept the attack. A perpendicular block also places your body in the wrong position. By intercepting the attacking forearm at a slight angle, there is greater opportunity to intercept at several points, and this move meshes with the body twist that presents the left shoulder parallel to the line of attack.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“Keep your weak hand up by your face, so that you can easily defend your head if a punch is unexpectedly thrown. Use the weak hand to scratch your head or cheek, brush your hair, wipe your brow, adjust your hat, etc., but keep that hand up. Remember that you will most likely be reacting to an assault, and therefore it will take too long to bring a hand up from your waist to your head to defend yourself against a sneak attack. Cover This block/cover comes from boxing, and is identical to the one taught in my book The Cook Method of the Sap for Law Enforcement and Civilians. The weak (left) hand comes up and brings the hand to the ear as though you are talking on the phone. The upraised elbow and bent arm create a large, strong defense against any type of blow, especially a hook punch, which is difficult to defend against by trying to parry or block with the hand. You can also think of this move as raising the left elbow upward. In close, this shielding move can be used as a strike, hitting the attacker with an upward elbow strike. Train this move by having a partner slowly and lightly swing with his right hand at your head. If you get boxing headgear and gloves, you can gradually increase the speed and power of this strike. It is also possible for your partner to swing at your head using the punch mitts. Hammerfist As the left elbow comes up and the left hand is placed just off your ear, your right hand –which has been resting near your left armpit-- snaps outward, striking with the bottom of the fist. Aim for the opponent's jawline. A problem with punching on the street is that it's easy to damage your knuckles when hitting someone's skull or teeth. The bottom-of-the-fist blow, also known as a hammerfist, is a very powerful blow that can be delivered with little risk of injury to the knuckles or wrist. It has proven itself to be devastatingly effective in the full-contact cage matches of the mixed martial arts. Practice doing both motions at the same time; raising the left elbow up to cover the head while striking out with the right hammerfist. Practice slowly at first, then move to the heavy bag. You can also have a partner with the focus mitts swing the right mitt while holding the left mitt up as a target for you to hit with the right hand. Once you have the form down, make the move explosive. Burst outward with the elbow and hammerfist simultaneously. Snap the hammerfist, bringing it quickly back to the start position. Another tip as you practice this move is to drop your head down, so that your chin and the side of your face are not exposed. With your chin down, the striking right hand and arm will help to shield your head from attacks with the opponent's left hand. This is how you defend yourself when an opponent has surprised you with a flurry of punches –not by trying to block a rain of blows, but by striking while protecting your head.”
― Darrin Cook, Steel Baton EDC: 2nd Edition

“Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.”
― Darrin Cook, Steel Baton EDC: 2nd Edition