On an Island that Cost Twenty-Four Dollars Quotes

“Daylight would have shown a wilderness weathered and blowzy, a wanton that had lived her summer too fast and too greedily. It would have shown the white birches pale and shivering in a sudden ague, and here and there an ash or a sumac burning red, like a hectic spot, where the first frosts already had set the marks of their galloping consumption on the cheek of the forest, giving warning of the time when the white plague of the winter would make a massacre of all this present glory and turn the trees to naked skeletons and stretch a bony bare cadaver on every steeper hillside to bleach there until the snows covered things up. But now the kindly nighttime had all signs and threats of approaching death, so that each shriveled speckled leaf, as revealed and traced in the waning light, seemed flawless — a perfect part of a perfect tapestry.”
― Irvin S. Cobb, On an Island that Cost Twenty-Four Dollars

“By now the moon was well down. Over the tree tops they had seen her cruise across the heavens to strike on a reef of jagged clouds, and now she foundered among them in the semblance of a ruined galleon, the sails lost overboard, the belly-shaped hull punctured; and just above her there swung a single red star, like a riding light set on an invisible spar to mark the wreck.

But the moon had come up, not as a ship but as a tipsy tile-layer. First, across her contract, she flung a long stepladder of celestial gold; then so wrought that the waves all turned to silver scallops with a separate bright rime for each separate tessellation. But the job was done only to be undone. As the wind went down with her, the water was smoothing out; the checkers were vanishing, the paved surface, between the shores, changing and tarnishing to a duller metal. Catching tone from this, the woodland grew denser and darker. Open spaces which ten minutes before had been glades for the fairies to dance in were mysteries for witchcraft now.”
― Irvin S. Cobb, On an Island that Cost Twenty-Four Dollars

“In the country, a good he-snowstorm makes a lovely design for putting on a holiday greetings card. In the city it just makes an infernal mess for the street-cleaning department to wrestle with. … By midday of next day it would be licked to a custard— molten into puddles of foggy slush where cellar furnaces exhaled their hot breath up out of sidewalk gratings, roiled and fouled and crunched down beneath the heels and the tires of the town, flung up in crumply billows by the conscripted shovel crews, and under the park trees and on the park meadows would show a stark and grayish cast like the face of a grimy pauper whose corpse the undertaker scanted. And the longer it stayed there the sootier and the dirtier and the deader-looking it would get to be. You may worry the city with your winter weathers; you cannot keep her licked for any great length of time.”
― Irvin S. Cobb, On an Island that Cost Twenty-Four Dollars

“He also could feel it in his nostrils like an impalpable soot; the emanations of the millions about them, packed away at night in layers like martins in martin boxes and by day wriggling and squirming down between the tall buildings like larvae enclosed within the ribs of a dead horse; and with this effluvia of humans, the taint of burnt gasoline and burnt lubricating oils and the smoke and the coal grit and the dirt motes that were churned and rechurned and never at rest— the Pollen of the City.”
― Irvin S. Cobb, On an Island that Cost Twenty-Four Dollars