Reign of Terror Quotes

“He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it.

'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")”
― William Mudford, Reign of Terror: Great Victorian Horror Stories

“At this point, a few words on this term 'horror' are perhaps called for. Some amateurs of this kind of literature engage in endless hairsplitting disputes, centered around this word and its close companion 'terror', as to which' stories may so be categorized and which may not, and whether or not descriptions such as weird or fantasy or macabre are preferable. The designation 'horror', with its connotations of revulsion, satisfies me no more than it does the purists but I believe that it is the only term which embraces all the stories in this collection and which succinctly suggests to the majority of readers what is in store for them. Horror then, in this instance, covers tales of the Supernatural and of physical terror, of ghosts and necromancy and of inhuman violence and all the dark corners and crevices of human belief and behavior that lie in between. ("An Age In Horror" - introduction)”
― Michel Parry, Reign of Terror: Great Victorian Horror Stories

“Though the continued march of intellect and education have nearly obliterated from the mind of the Scots a belief in the marvelous, still a love of the supernatural lingers among the more mountainous districts of the northern kingdom; for 'the Schoolmaster' finds it no easy task, even when aided by all the light of science, to uproot the prejudices of more than two thousand years. ("The Phantom Regiment")”
― James Grant, Reign of Terror: Great Victorian Horror Stories

“The taste for luxuries increases with marvelous rapidity under indulgence.
("A Night In An Old Castle")”
― George Payne Rainsford James, Reign of Terror: Great Victorian Horror Stories

“Truth is not of this world; and they were fools who looked for her in the bottom of a well; her temple is the grave! her oracles, dust and ashes! ("The Forsaken of God")”
― William Mudford, Reign of Terror: Great Victorian Horror Stories

“They stand beside a grave. Hermann sprinkles upon it a powder, which falls in sparkles of light from his fingers. The earth begins to heave; and presently, as a volcano casts up its ashes, the grave empties itself. Slowly and slowly, like the rippling waves of a becalmed ocean, it rises to the surface, divides, and falls in crumbling heaps on either side. Then there ascends the venerable figure of an aged man, clothed in robes of purple and scarlet, the ensigns of senatorial dignity. At the same moment, the spectre arm, by wondrous motion of its own, tears itself aloft, and becomes a dimly gleaming torch; each livid finger sending forth pale red dusky flames, which fling a horrid glare upon the cadaverous features of the phantom. ("The Forsaken Of God")”
― William Mudford, Reign of Terror: Great Victorian Horror Stories

“How came she by her death? How came she there? Was she slain by accident, or had she met with violence? were the questions that pressed upon our thoughts. But we said little then and after a time left her where we found her. It mattered not to her that the bed was hard or the air cold.
("A Night In An Old Castle")”
― George Payne Rainsford James, Reign of Terror: Great Victorian Horror Stories

“The silence of a convent at night is the silence of the grave. Too far removed from the busy world without for external sounds to penetrate the thick walls, whilst within no slamming door, nor wandering foot, nor sacrilegious voice breaks in upon the stillness, the slightest noise strikes upon the ear with a fearful distinctness. ("The Monk's Story")”
― Catherine Crowe, Reign of Terror: Great Victorian Horror Stories