Metaphysics of War Quotes

“What is really required to defend ‘the West’ against the sudden rise of these barbaric and elemental forces is the strengthening, to an extent perhaps still unknown to Western man, of a heroic vision of life. Apart from the military-technical apparatus, the world of the ‘Westerners’ has at its disposal only a limp and shapeless substance – and the cult of the skin, the myth of ‘safety’ and of ‘war on war’, and the ideal of the long, comfortable, guaranteed, ‘democratic’ existence, which is preferred to the ideal of the fulfilment which can be grasped only on the frontiers between life and death in the meeting of the essence of living with the extreme of danger.”
― Julius Evola, Metaphysics of War

“In the Islamic tradition a distinction is made between two holy wars, the "greater holy war" (el-jihadul-akbar) and the "lesser holy war" (el-jihadul-ashgar). This distinction originated from a saying (hadith) of the Prophet, who on the way back from a military expedition said: "You have returned from a lesser holy war to a great holy war." The greater holy war is of an inner and spiritual nature; the other is the material war waged externally against an enemy population with the particular intent of bringing "infidel" populations under the rule of "God's Law" (al-Islam). The relationship between the "greater" and "lesser holy war", however, mirrors the relationship between the soul and the body; in order to understand the heroic asceticism or "path of action", it is necessary to understand the situation in which the two paths merge, the "lesser holy war" becoming the means through which a "greater holy war" is carried out, and vice versa: the "little holy war", or the external one, becomes almost a ritual action that expresses and gives witness to the reality of the first. Originally, orthodox Islam conceived of a unitary form of asceticism: that which is connected to the jihad or "holy war".”
― Julius Evola, Metaphysics of War

“The fundamental principle underlying all justifications of war, from the point of view of human personality, is ‘heroism’. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realize the relativity of human life and therefore also the law of a ‘more-than-life’, and thus war has always an anti-materialist value, a spiritual value.”
― Julius Evola, Metaphysics of War

“With no significant political forces opposing the conversion of our world into a universal marketplace, the conflict of our time is the struggle to retain one’s humanity in an increasingly artificial world. That is the only battle that retains any genuine significance from a traditional perspective.”
― Julius Evola, Metaphysics of War

“The fundamental principle underlying all justifications of war, from the point of view of human personality, is ‘heroism’. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realise the relativity of human life and therefore also the law of a ‘more-than-life’, and thus war has always an anti-materialist value, a spiritual value.”
― Julius Evola, Metaphysics of War

“Now we move on to the dominant idea of this ancient heroic tradition, namely the mystical conception of victory. The fundamental assumption is that of a true correspondence between the physical and metaphysical, between the visible and the invisible, whereby the deeds of the spirit reveal supra-individual traits and express themselves through action and real events. On this basis, a spiritual realization is presumed to be the hidden soul of certain martial endeavors, which are crowned by the actual victory. Then the material, military victory becomes the correlation to a spiritual event, which has called forth victory in the place where outer and inner connect. The victory appears as a tangible sign for a consecration and mystical rebirth that are fulfilled in the same instant. The Furies and the death which the warrior withstood physically on the battlefield also confront him internally, in his spiritual element, in the form of a dangerous and threatening outburst of the primordial energy of his being.

In triumphing over this, victory is his.

This connection clarifies why, in the Traditional world, every victory also takes on a sacred meaning. The celebrated commander on the battlefield thus provided the experience of the presence of a mystical, transformative energy. In the same way we can understand the deep meaning a supra-wordly character that breaks forth in the victory’s glory and 'divinity', as well as the fact that the ancient Roman triumphal ceremony had far more of a sacred quality than a military one. It sheds a totally different light on those recurring symbols of the ancient Aryan tradition of Victories, Valkyries, and similar beings who leads the souls of warriors into 'Heaven', as well as on the myth of a victorious hero such as the Doric Hercules, who receives the crown from Nike, the 'victory goddess', enabling him to participate in Olympian immortality. And now it becomes obvious how paralyzing and frivolous that viewpoint is which prefers to see only 'poetics', rhetorics, and fairy tales in all of this.”
― Julius Evola, Metaphysics of War

“Let us now assume that under truly extraordinary circumstances, the daimon nevertheless breaks through in the individual, so to speak, and is this able to let its destructive transcendence be felt: then one would have a kind of active experience of death. Thereupon the second connection becomes clear: why the figure of the daimon or doppelgänger in the ancient myths could be melded with the deity of death. In the Nordic tradition the warrior sees his Valkyrie precisely at the moment of death or mortal danger.

In religious asceticism, mortification, self-renunciation, and the impulse of devotion to God are the preferred methods of provoking and successfully overcoming the crisis I have just mentioned. Everyone knows the expressions which refer to these states, such as the 'mystical death' or 'dark night of the soul', etc. In contrast to this, within the framework of a heroic tradition, the path to the same goal is the active rapture, the Dionysian unleashing of the active element. At its lower levels, we find phenomenons such as the use of dance as a sacred technique for achieving an ecstasy of the soul that summons and uses profound energies. While the individual’s life is surrendered to Dionysian rhythm, another life sinks into it, as if it where his abyssal roots surfacing. The 'wild host' Furies, Erinyes, and suchlike spiritual natures are symbolic picturings of this energy, thus corresponding to a manifestation of the daimon in its terrifying and active transcendence. At a higher level we find sacred war-games; higher still, war itself. And this brings us back to the ancient Aryan concept of battle and the warrior ascetic.

At the climax of danger and heroic battle, the possibility for such an extraordinary experience was recognized. The Lating ludere, meaning both 'to play' and 'to fight', seems to contain the idea of release. This is one of the many allusions to the inherent ability of battle to release deeply-buried powers from individual limitations and let them freely emerge. Hence the third comparison: the daimon, the Lar, the individualizing I, etc., are not only identical with the Furies, Erinyes, and other unleashed Dionysian natures, which themselves have many traits similar to the goddess of death — they are also synonymous with the storm maidens of battle, the Valkyries and Fravartis. In the texts, for example, the Fravartis are called 'the terrible, the all-powerful', 'those who attack in storm and bestow victory upon those who conjure them', or, more precisely, those who conjure them up in themselves.

From there to the final comparison is only a short step. In the Aryan tradition the same martial beings eventually take on the form of victory-goddesses, a transformation which denotes the happy completion of the inner experience in question. Just as the daimon or doppelgänger signifies a deep, supra-individual power in its latent condition as compared to ordinary consciousness; just as the Furies and Erinyes reflect a particular manifestation of daimonic rages and eruptions (and the goddesses of death, Valkyries, Fravartis, etc., refer to the same conditions, as long as these are facilitated by battle and heroism) — in the same way the goddess of victory is the expression of the triumph of the I over this power. She signifies the victorious ascent to a state unendangered by ecstasies and sub-personal forms of disintegration, a danger that always lurks behind the frenetic moment of Dionysian and even heroic action. The ascent to a spiritual, truly supra-personal condition that makes one free, immortal, and internally indestructible, when the 'Two becomes One', expresses itself in this image of mythical consciousness.”
― Julius Evola, Metaphysics of War

“With the peace treaties and the developments of the post-war period this has become more and more evident. The function of the military element deteriorated into that of a sort of international police force — or, rather than really 'international', a police force organised by a certain group of nations to impose, against the will of the others and for their own profit, a given actual situation: since this was, and is, what 'the defence of peace' and 'the rights of nations' really mean. The decline of all feelings of warrior-like pride and honour was subsequently demonstrated by the fact that all sorts of ignoble means were developed to secure the desired results without even having to resort to this army degraded to the status of international police: system of sanctions, economic blockades, national boycott, etc.”
― Julius Evola, Metaphysics of War

“In talking of the penultimate phase, that is, 'bourgeois war', we have deliberately spoken of 'myths'. Bourgeois nature has two main aspects: sentimentalism and economic interest. If the ideology of 'freedom' and 'nation' democratically conceived, corresponds to the first aspect, the second has no less weight in the unconfessed motives of 'bourgeois war'. The 1914-1918 war shows clearly, in fact, that the 'noble' democratic ideology was only a cover, while the part which international finance really played is now well-known. And today, in the new war, this appears even more clearly: the sentimental pretext offered have proved to be more and more inconsistent, and it is obvious, on the contrary, that material and plutocratic interests, and the desire to maintain a monopoly upon the raw materials of the world, as well as upon gold, are what have set the 'tone' of the fight of the democratic Allies and have led them to take up arms and ask millions of men to sacrifice their lives.”
― Julius Evola, Metaphysics of War

“In talking of the penultimate phase, that is, 'bourgeois war', we have deliberately spoken of 'myths'. Bourgeois nature has two main aspects: sentimentalim and economic interest. If the ideology of 'freedom' and 'nation' democratically conceived, corresponds to the first aspect, the second has no less weight in the unconfessed motives of 'bourgeois war'. The 1914-1918 war shows clearly, in fact, that the 'noble' democratic ideology was only a cover, while the part which international finance really played is now well-known. And today, in the new war, this appears even more clearly: the sentimental pretext offered have proved to be more and more inconsistent, and it is obvious, on the contrary, that material and plutocratic interests, and the desire to maintain a monopoly upon the raw materials of the world, as well as upon gold, are what have set the 'tone' of the fight of the democratic Allies and have led them to take up arms and ask millions of men to sacrifice their lives.”
― Julius Evola, Metaphysics of War