The Following Story Quotes

“So-called real life has only once interfered with me, and it had been a far cry from what the words, lines, books had prepared me for. Fate had to do with blind seers, oracles, choruses announcing death, not with panting next to the refrigerator, fumbling with condoms, waiting in a Honda parked round the corner and surreptitious encounters in a Lisbon hotel. Only the written word exists, everything one must do oneself is without form, subject to contingency without rhyme or reason. It takes too long. And if it ends badly the metre isn't right, and there's no way to cross things out.”
― Cees Nooteboom, The Following Story

“All right, she thought I was a funny little geezer, but my charred Phaethon had impressed her, I was very obviously available, and she was out for revenge. What makes Greek tragedies great is that this brand of psychological nonsense doesn't enter into it at all. I had wanted to tell her that too, but unfortunately conversations consist for the most part of things one does not say. We are descendents, we do not have mythical lives, but psychological ones. And we know everything, we are always our own chorus.”
― Cees Nooteboom, The Following Story

“...I am sitting on the wall of the castle, looking out over the city, the river, the dish of sea beyond. Oleander, frangipani, laurel, great elm trees. A girl is sitting nearby, writing. The word "goodbye" is drifting in the air around me and I can't seem to catch hold of it. This entire city is a goodbye. The fringe of Europe, the last shore of the first world, it is there that the corroded continent sinks into the sea, dissolves into the infinite mist which the ocean resembles today. This city does not belong to the present, it is earlier here because it is later. The banal has not yet arrived. Lisbon is reluctant. That must be the word, this city puts off the moment of parting, this is where Europe says goodbye to itself. Lethargic songs, gentle decay, great beauty. Memory, postponement of metamorphosis. Not one of those things would find its way into Dr Strabo's Travel Guide. I send the fools to the fado taverns, for their dose of processed saudade. Slauerhoff and Pessoa I keep to myself...”
― Cees Nooteboom, The Following Story

“Clocks served two purposes, in my opinion. The first was to tell people the time, and the second to impress upon me that time is an enigma, an intractable measureless phenomenon into which, out of sheer helplessness, we have introduced a semblance of order.”
― Cees Nooteboom, The Following Story