The Red Parts Quotes

“Am I sitting here now, months later, in Los Angeles, writing all this down, because I want my life to matter? Maybe so. But I don't want it to matter more than others.

I want to remember, or to learn, how to live as if it matters, as if they all matter, even if they don't.”
― Maggie Nelson, The Red Parts

“Of course my ex didn’t walk me home. Instead I wandered, drunk, from Main Street down to the railroad tracks, lay down there and listened to the quiet world. Smoked a cigarette on my back, feeling a part of the ground, one of night’s dark and lost creatures.
For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be “a man of the crowd,” or, conversely, alone with Nature or your God. To make your claim on public space even as you feel yourself disappearing into its largesse, into sublimity. To practice for death by feeling completely empty, but somehow still alive.
It’s a sensation that people have tried, in various times and places, to keep women from feeling.”
― Maggie Nelson, The Red Parts

“I know what I want is impossible. If I can make my language flat enough, exact enough, if I can rinse each sentence clean enough, like washing a stone over and over again in river water, if I can find the right perch or crevice from which to record everything, if I can give myself enough white space, maybe I could do it. I could tell you this story while walking out of this story. I could—it all could—just disappear.”
― Maggie Nelson, The Red Parts

“But if I were honest, or if I were at least to bump into the limits of my honesty, I would have to admit that I knew exactly how this love would end from the moment it began. The loss was probably before it was possible.”
― Maggie Nelson, The Red Parts

“I awoke from this nightmare into a freezing cold motel room: the heater had broken at some point during the night, and the fan was now blowing icy air into the room.

At first I tried to keep warm under the crappy motel bedspread by thinking about the man I loved. At the time he was traveling in Europe, and was thus unreachable. I didn't know it yet, but as I lay there, he was traveling with another woman. Does it matter now? I tried hard to feel his body wrapped tightly around mine.

Next I tried to imagine everyone I had ever loved, and everyone who had ever loved me, wrapped around me. I tried to feel that I was the composite of all these people, instead of alone in a shitty motel room with a broken heater somewhere outside of Detroit, a few miles from where Jane's body was dumped thirty-six years ago on a March night just like this one.

'Need each other as much as you can bear,' writes Eileen Myles. 'Everywhere you go in the world.'

I felt the wild need for any or all of these people that night. Lying there alone, I began to feel - perhaps even to know - that I did not exist apart from their love and need of me.

Of this latter I felt less sure, but it seemed possible, if the equation worked both ways.

Falling asleep I thought, 'Maybe this, for me, is the hand of God.”
― Maggie Nelson, The Red Parts

“[...] Fear of breakdown is the fear of a breakdown that has already been experienced [...}

It’s only lately that I’ve realized that Winnicott is not suggesting that breakdowns do not recut. Now I see that he may be suggesting just the opposite: that a fear of breakdown in our past may be precisely what causes it to repeat in our future”
― Maggie Nelson, The Red Parts

“Perhaps because I have spent hours sermonizing to students about the sins of the passive voice—how it can obfuscate meaning, deaden vitality, and abandon the task of assigning agency or responsibility—I find the grammar of justice maddening. It’s always “rendered,” “served,” or “done.” It always swoops down from on high—from God, from the state—like a bolt of lightning, a flaming sword come to separate the righteous from the wicked in Earth’s final hour. It is not, apparently, something we can give to one other, something we can make happen, something we can create together down here in the muck. The problem may also lie in the word itself, as for millennia “justice” has meant both “retribution” and “equality,” as if a gaping chasm did not separate the two.

If you really want to know what justice is, don’t only ask questions and then score off anyone who answers, and refute him, roars Thrasymachus to Socrates in The Republic. You know very well that it is much easier to ask questions than to answer them. Give an answer yourself and tell us what you say justice is. When justice is done, writes Anne Carson, the world drops away. This does not seem to me a happy thought. I am not yet sure I want the world to drop away.”
― Maggie Nelson, The Red Parts

“... I will take a long shower, as the shower is the only place I will have any privacy. In the stall I will get down on my knees and weep, letting the water run over my body, praying to get better, praying not to hurt myself any more than I’m already hurting, praying that this loss, that this whole time, will move over me, through me, like a dark storm passing over a great plane. A great plain which is, essentially, my soul. A soul which is neither light nor dark, neither wholly alone nor wholly with any other, certainly not with God, just flat, open, deathless, and free. Curled up in a wet ball on the tile floor I will hear myself say, something in me is dying. I no longer know to whom I’m talking.”
― Maggie Nelson, The Red Parts

“For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be ‘a man of the crowd,’ or, conversely, alone with Nature or your god. To make your claims on public space even as you feel yourself disappearing into its largesse, into its sublimity. To practice for death by feeling completely empty, but somehow still alive.

It’s a sensation that people have tried, in various times and places, to keep women from feeling. Many still try. You’ve been told a million times that to be alone and female and in public late at night is to court disaster, so it’s impossible to know if you’re being bold and free or stupid and self-destructive. And sometimes practicing for death is just practicing for death. As a teenager I liked to take baths in the dark with coins placed over my eyes.”
― Maggie Nelson, The Red Parts

“But the more I looked at the card, the more it troubled me. My poems didn’t tell stories. I became a poet in part because I didn’t want to tell stories. As far as I could tell, stories may enable us to live, but they also trap us, bring us spectacular pain. In their scramble to make sense of nonsensical things, they distort, codify, blame, aggrandize, restrict, omit, betray, mythologize, you name it. This has always struck me as cause for lament, not celebration. As soon as a writer starts talking about the “human need for narrative” or the “archaic power of storytelling,” I usually find myself wanting to bolt out of the auditorium. Otherwise my blood creeps up to my face and begins to boil”
― Maggie Nelson, The Red Parts

“After years of feeling like the dutiful daughter, now I just felt like a complete shit.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“IN ONE OF his last psychoanalytic papers, D. W. Winnicott wrote: Fear of breakdown is the fear of a breakdown that has already been experienced.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“Write the things which thou hast seen, and the things which are, and the things which shall be hereafter. A red part”
― Maggie Nelson, The Red Parts

“I felt the wild need for any or all of these people that night. Lying there alone, I began to feel - perhaps even to know - that I did not exist apart from their love and need of me.

Of this latter I felt less sure, but it seemed possible, if the equation worked both ways.

Falling asleep I thought, 'Maybe this, for me, is the hand of God.”
― Maggie Nelson, The Red Parts

“I am getting the bad feeling that my friends are growing tired of me. I am growing tired of me, too.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“Fear of breakdown is the fear of a breakdown that has already been experienced.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“AT THE VOIR dire the judge asks all the potential jurors to swear that even if they regularly watch CSI, Law & Order, Cold Case Files, or any other television show featuring forensic science and criminal justice, that they have a firm grasp on the difference between television—even reality television—and reality itself, in which we are presumably now mired. One potential juror with several small children says that won’t be a problem for her, because she mostly watches the Cartoon Network; the judge quips that an afternoon spent with the Cartoon Network provides as much or more information about the criminal justice system as a full season of Law & Order.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“The witnesses and detectives fold and unfold this towel many times, always with a certain solemnity and formality, as if it were a flag. But the flag of what country, I cannot say. Some dark crescent of land, a place where suffering is essentially meaningless, where the present collapses into the past without warning, where we cannot escape the fates we fear the most, where heavy rains come and wash bodies up and out of their grave, where grief lasts forever and its force never fades”
― Maggie Nelson, The Red Parts

“On April 20, 1970, the poet Paul Celan left his home in Paris, walked to a bridge over the River Seine, and jumped to his death. He left a biography of Hölderlin open on his desk, with the following words underlined: "Sometimes this genius goes dark and sinks down into the bitter well of his heart."
The sentence does not end there. Celan chose not to underline the rest: "but mostly his apocalyptic star glitters wondrously.”
― Maggie Nelson, The Red Parts

“But the flag of what country, I cannot say. Some dark crescent of land, a place where suffering is essentially meaningless, where the present collapses into the past without warning, where we cannot escape the fates we fear the most, where heavy rains come and wash bodies up and out of their graves, where grief lasts forever and its force never fades.”
― Maggie Nelson, The Red Parts

“To the living we owe respect, / To the dead we owe the truth.” ~Voltaire.~ Violent Crimes Unit/Michigan State Police, reads the”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“Certainly I didn’t feel unwilling to face my revulsion. Sometimes I felt as though that was all I was doing. But was I “repressing anger at wrongful violation”? Was I denying the fact that “we live in a society in which there really are fearful and awful people”? What would it mean not to deny such a thing?”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“of”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“attempting to deny that we live in a society in which there really are fearful and awful people.”
― Maggie Nelson, The Red Parts: Autobiography of a Trial

“watched”
― Maggie Nelson, The Red Parts: Autobiography of a Trial