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Wonderkid Wonderkid by Wesley Stace
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“Blake laughed at those who extracted deep meaning from Dylan’s lyrics. Agreed, the man was a genius, but only inasmuch as he was the greatest nonsense writer of the late twentieth century. When you added it up—and people often tried (there were plenty of professors waxing lyrical)—the only line connecting Dylan’s work (after his brief flirtation with sense, the folky protest period) was nonsense. He was capable of writing either great nonsense (Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde, most of John Wesley Harding) or sense composed entirely of atrocious clichés (the rest of John Wesley Harding onwards). It was as if Dylan, it seemed to Blake, was only successful when he wrote rubbish. Of course the man didn’t want to explain his lyrics: he couldn’t. Even the best of his narratives were completely nonsensical.”
Wesley Stace, Wonderkid: A Novel