The Break Up of Britain Quotes

“It is almost as difficult for a Scots intellectual to get out of the Kailyard as to live without an alias. The dilemma is not just an intellectual's one... the whole thing is related to the much larger field of popular culture. For Kailyard is popular in Scotland. It is recognisably intertwined with that prodigious array of Kitsch symbols, slogans, banners, war-cries, knick-knacks, music-hall heroes, icons, conventional sayings and sentiments (not a few of them 'pithy') which have for so long defended the name of 'Scotland' to the world. Annie S. Swan and A.J. Cronin provided no more than the decent outer garb for this vast tartan monster. In their work the thing trots along doucely enough, on a lead. But it is something else to be with it (e.g.) in a London pub on International night, or in the crowd at the annual Military Tattoo in front of Edinburgh Castle. How intolerably vulgar! What unbearable, crass, mindless philistinism! One knows that Kitsch is a large constituent of mass popular culture in every land: but this is ridiculous!”
― Tom Nairn, The Break Up of Britain: Crisis and Neo-Nationalism

“How may we describe the general outlines of nationalist development, seen as 'general historical process'? Here, by far the most important point is that nationalism is as a whole quite incomprehensible outside the context of that process's uneven development. The subjective point of nationalist ideology is, of course, always the suggestion that one nationality is as good as another. But the real point has always lain in the objective fact that, manifestly, one nationality has never been even remotely as good as as, or equal to, the others which figure in its world view. Indeed, the purpose of the subjecivity (nationalist myths) can never be anything but protest against the brutal fact: it is mobilisation against the unpalatable, humanly unacceptable, truth of grossly uneven development.”
― Tom Nairn, The Break Up of Britain: Crisis and Neo-Nationalism