Within A Budding Grove, Part 1 Quotes

“In the case of the solitary, his seclusion, even when it is absolute and ends only with life itself, has often as its primary cause a disordered love of the crowd, which so far overruled every other feeling that, not being able to win, when he goes out, the admiration of his hall-porter, of the passers-by, of the cabman whom he hails, he prefers not to be seen by them at all, and with that object abandons every activity that would oblige him to go out of doors.”
― Marcel Proust, Within A Budding Grove, Part 1

“[O]ften one listens and hears nothing, if it is a piece of music at all complicated to which one is listening for the first time. And yet when, later on, this sonata had been played over to me two or three times I found that I knew it quite well. And so it is not wrong to speak of hearing a thing for the first time. If one had indeed, as one supposes, received no impression from the first hearing, the second, the third would be equally ‘first hearings’ and there would be no reason why one should understand it any better after the tenth. Probably what is wanting, the first time, is not comprehension but memory. For our memory, compared to the complexity of the impressions which it has to face while we are listening, is infinitesimal, as brief as the memory of a man who in his sleep thinks of a thousand things and at once forgets them, or as that of a man in his second childhood who cannot recall, a minute afterwards, what one has just been saying to him. Of these multiple impressions our memory is not capable of furnishing us with an immediate picture. But that picture gradually takes shape, and, with regard to works which we have heard more than once, we are like the schoolboy who has read several times over before going to sleep a lesson which he supposed himself not to know, and finds that he can repeat it by heart next morning. It was only that I had not, until then, heard a note of the sonata, whereas Swann and his wife could make out a distinct phrase that was as far beyond the range of my perception as a name which one endeavours to recall and in place of which one discovers only a void, a void from which, an hour later, when one is not thinking about them, will spring of their own accord, in one continuous flight, the syllables that one has solicited in vain. And not only does one not seize at once and retain an impression of works that are really great, but even in the content of any such work...it is the least valuable parts that one at first perceives.”
― Marcel Proust, Within A Budding Grove, Part 1

“I knew very well that this hope was chimerical. I was like a pauper who mingles fewer tears with his dry bread if he tells himself that at any moment a stranger will bequeath to him his fortune. We must all, in order to make reality more tolerable, keep alive in us a few little follies.”
― Marcel Proust, Within A Budding Grove, Part 1

“Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services. But on this morning of travel, the interruption of the routine of my existence, the unfamiliar place and time, had made their presence indispensable. My habits...for once were missing, and all my faculties came hurrying to take their place.”
― Marcel Proust, Within A Budding Grove, Part 1

“And yet one did not find in the speech of Bergotte a certain luminosity which in his books, as in those of some other writers, often modified in the written phrase the appearance of its words. This was doubtless because that light issues from so profound a depth that its rays do not penetrate to our spoken words in the hours in which, thrown open to others by the act of conversation, we are to a certain extent closed against ourselves. In this respect, there were more intonations, there was more accent in his books than in his talk; an accent independent of the beauty of style, which the author himself has possibly not perceived, for it is not separable from his most intimate personality. It was this accent which, at the moments when, in his books, Bergotte was entirely natural, gave a rhythm to the words — often at such times quite insignificant — that he wrote. This accent is not marked on the printed page, there is nothing there to indicate it, and yet it comes of its own accord to his phrases, one cannot pronounce them in any other way, it is what was most ephemeral and at the same time most profound in the writer, and it is what will bear witness to his true nature, what will say whether, despite all the austerity that he has expressed he was gentle, despite all his sensuality sentimental.”
― Marcel Proust, Within A Budding Grove, Part 1

“And yet one did not find in the speech of Bergotte a certain luminosity which in his books, as in those of some other writers, often modified in the written phrase the appearance of its words. This was doubtless because that light issues from so profound a depth that its rays do not penetrate to our spoken words in the hours in which, thrown open to others by the act of conversation, we are to a certain extent closed against ourselves.”
― Marcel Proust, Within A Budding Grove, Part 1

“Kaybetmekten en çok korktuğumuz zenginlikler, kalbimiz tarafından ele geçirilmedikleri için, dışımızda kalmış olanlardır.”
― Marcel Proust, À l'ombre des jeunes filles en fleur - Première partie