The Complete Poems Quotes
The Complete Poems
by
Kenneth Rexroth194 ratings, 4.47 average rating, 7 reviews
The Complete Poems Quotes
Showing 1-7 of 7
“Marthe Away (She Is Away)"
All night I lay awake beside you,
Leaning on my elbow, watching your
Sleeping face, that face whose purity
Never ceases to astonish me.
I could not sleep. But I did not want
Sleep nor miss it. Against my body,
Your body lay like a warm soft star.
How many nights I have waked and watched
You, in how many places. Who knows?
This night might be the last one of all.
As on so many nights, once more I
Drank from your sleeping flesh the deep still
Communion I am not always strong
Enough to take from you waking, the peace of love.
Foggy lights moved over the ceiling
Of our room, so like the rooms of France
And Italy, rooms of honeymoon,
And gave your face an ever changing
Speech, the secret communication
Of untellable love. I knew then,
As your secret spoke, my secret self,
The blind bird, hardly visible in
An endless web of lies. And I knew
The web too, its every knot and strand,
The hidden crippled bird, the terrible web.
Towards the end of the night, as trucks rumbled
In the streets, you stirred, cuddled to me,
And spoke my name. Your voice was the voice
Of a girl who had never known loss
Of love, betrayal, mistrust, or lie.
And later you turned again and clutched
My hand and pressed it to your body.
Now I know surely and forever,
However much I have blotted our
Waking love, its memory is still
there. And I know the web, the net,
The blind and crippled bird. For then, for
One brief instant it was not blind, nor
Trapped, not crippled. For one heart beat the
Heart was free and moved itself. O love,
I who am lost and damned with words,
Whose words are a business and an art,
I have no words. These words, this poem, this
Is all confusion and ignorance.
But I know that coached by your sweet heart,
My heart beat one free beat and sent
Through all my flesh the blood of truth.”
― The Complete Poems
All night I lay awake beside you,
Leaning on my elbow, watching your
Sleeping face, that face whose purity
Never ceases to astonish me.
I could not sleep. But I did not want
Sleep nor miss it. Against my body,
Your body lay like a warm soft star.
How many nights I have waked and watched
You, in how many places. Who knows?
This night might be the last one of all.
As on so many nights, once more I
Drank from your sleeping flesh the deep still
Communion I am not always strong
Enough to take from you waking, the peace of love.
Foggy lights moved over the ceiling
Of our room, so like the rooms of France
And Italy, rooms of honeymoon,
And gave your face an ever changing
Speech, the secret communication
Of untellable love. I knew then,
As your secret spoke, my secret self,
The blind bird, hardly visible in
An endless web of lies. And I knew
The web too, its every knot and strand,
The hidden crippled bird, the terrible web.
Towards the end of the night, as trucks rumbled
In the streets, you stirred, cuddled to me,
And spoke my name. Your voice was the voice
Of a girl who had never known loss
Of love, betrayal, mistrust, or lie.
And later you turned again and clutched
My hand and pressed it to your body.
Now I know surely and forever,
However much I have blotted our
Waking love, its memory is still
there. And I know the web, the net,
The blind and crippled bird. For then, for
One brief instant it was not blind, nor
Trapped, not crippled. For one heart beat the
Heart was free and moved itself. O love,
I who am lost and damned with words,
Whose words are a business and an art,
I have no words. These words, this poem, this
Is all confusion and ignorance.
But I know that coached by your sweet heart,
My heart beat one free beat and sent
Through all my flesh the blood of truth.”
― The Complete Poems
“Floating"
Our canoe idles in the idling current
Of the tree and vine and rush enclosed
Backwater of a torpid midwestern stream;
Revolves slowly, and lodges in the glutted
Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current,
Up dim meanders, through woods and pastures,
Past muddy fords where the strong smell of cattle
Lay thick across the water; singing the songs
Of perfect, habitual motion; ski songs,
Nightherding songs, songs of the capstan walk,
The levee, and the roll of the voyageurs.
Tired of motion, of the rhythms of motion,
Tired of the sweet play of our interwoven strength,
We lie in each other's arms and let the palps
Of waterlily leaf and petal hold back
All motion in the heat thickened, drowsing air.
Sing to me softly, Westron Wynde, Ah the Syghes,
Mon coeur se recommend à vous, Phoebi Claro;
Sing the wandering erotic melodies
Of men and women gone seven hundred years,
Softly, your mouth close to my cheek.
Let our thighs lie entangled on the cushions,
Let your breasts in their thin cover
Hang pendant against my naked arms and throat;
Let your odorous hair fall across our eyes;
Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet,
Immense, and your skin ivory and humid.
Move softly, move hardly at all, part your thighs,
Take me slowly while our gnawing lips
Fumble against the humming blood in our throats.
Move softly, do not move at all, but hold me,
Deep, still, deep within you, while time slides away,
As the river slides beyond this lily bed,
And the thieving moments fuse and disappear
In our mortal, timeless flesh.”
― The Complete Poems
Our canoe idles in the idling current
Of the tree and vine and rush enclosed
Backwater of a torpid midwestern stream;
Revolves slowly, and lodges in the glutted
Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current,
Up dim meanders, through woods and pastures,
Past muddy fords where the strong smell of cattle
Lay thick across the water; singing the songs
Of perfect, habitual motion; ski songs,
Nightherding songs, songs of the capstan walk,
The levee, and the roll of the voyageurs.
Tired of motion, of the rhythms of motion,
Tired of the sweet play of our interwoven strength,
We lie in each other's arms and let the palps
Of waterlily leaf and petal hold back
All motion in the heat thickened, drowsing air.
Sing to me softly, Westron Wynde, Ah the Syghes,
Mon coeur se recommend à vous, Phoebi Claro;
Sing the wandering erotic melodies
Of men and women gone seven hundred years,
Softly, your mouth close to my cheek.
Let our thighs lie entangled on the cushions,
Let your breasts in their thin cover
Hang pendant against my naked arms and throat;
Let your odorous hair fall across our eyes;
Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet,
Immense, and your skin ivory and humid.
Move softly, move hardly at all, part your thighs,
Take me slowly while our gnawing lips
Fumble against the humming blood in our throats.
Move softly, do not move at all, but hold me,
Deep, still, deep within you, while time slides away,
As the river slides beyond this lily bed,
And the thieving moments fuse and disappear
In our mortal, timeless flesh.”
― The Complete Poems
“Suchness
In the theosophy of light,
The logical universal
Ceases to be anything more
Than the dead body of an angel.
What is substance? Our substance
Is whatever we feed our angel.
The perfect incense for worship
Is camphor, whose flames leave no ashes.
from Love is an Art of Time (1974)
in The Complete Poems of Kenneth Rexroth, 702”
― The Complete Poems
In the theosophy of light,
The logical universal
Ceases to be anything more
Than the dead body of an angel.
What is substance? Our substance
Is whatever we feed our angel.
The perfect incense for worship
Is camphor, whose flames leave no ashes.
from Love is an Art of Time (1974)
in The Complete Poems of Kenneth Rexroth, 702”
― The Complete Poems
“Oaxaca 1925
You were a beautiful child
With a troubled face, green eyelids
And black lace stockings
We met in a filthy bar
You said
"My name is Nada
I don't want anything from you
I will not take from you
I will give you nothing"
I took you home down alleys
Splattered with moonlight and garbage and cats
To your desolate disheveled room
Your feet were dirty
The lacquer was chipped on your fingernails
We spent a week hand in hand
Wandering entranced together
Through a sweltering summer
Of guitars and gunfire and tropical leaves
And black shadows in the moonlight
A lifetime ago”
― The Complete Poems
You were a beautiful child
With a troubled face, green eyelids
And black lace stockings
We met in a filthy bar
You said
"My name is Nada
I don't want anything from you
I will not take from you
I will give you nothing"
I took you home down alleys
Splattered with moonlight and garbage and cats
To your desolate disheveled room
Your feet were dirty
The lacquer was chipped on your fingernails
We spent a week hand in hand
Wandering entranced together
Through a sweltering summer
Of guitars and gunfire and tropical leaves
And black shadows in the moonlight
A lifetime ago”
― The Complete Poems
“Love slays what we have been,
That we may be what we were not.
from “The Dragon and the Unicorn”
― The Complete Poems
That we may be what we were not.
from “The Dragon and the Unicorn”
― The Complete Poems
“Your body spreads across my brain
Like a bird filled summer;
Not like a body, not like a separate thing,
But like a nimbus that hovers
Over every other thing in all the world.
from “When We with Sappho,”
― The Complete Poems
Like a bird filled summer;
Not like a body, not like a separate thing,
But like a nimbus that hovers
Over every other thing in all the world.
from “When We with Sappho,”
― The Complete Poems
