DEMPSEY Quotes

“He turned to go, then stopped, turned around and said, “Listen, Jack, take it easy on Carpentier. Give the people out there a good run for their money, but be careful. Don’t kill him. Don’t kill everything.” Still the same Rickard. On his way out he almost collided with Gene Fowler, who was stopping in to wish me luck. They had barred him at the gates—he had misplaced his ticket—until he was recognized by a fellow member of the press and was allowed to pass. “Hello, Jack. How’s my pal?” “Fine, pal.” “Say, what’s the matter, Jack? There are 90,000 people out there waiting for you. It’s your big day. In fact, it’s your biggest ever!” “What do you think they’re waitin’ for? My head, pal, that’s what, my head. And if they can’t get that, then it’s my blood!” “Jack, what’re you saying? Say, you’re not scared of going out there, are you?” “Naw. I just want to get this over with!” “Sure, pal. I understand.” “Listen, do me a favor. Talk about anything but the fight.” And he did. He was a reassuring sight, with those light eyes twinkling under that cap of his. I knew he realized what I was going through. Doc rushed in, followed by the press and the usual crew. Gene backed out the door to avoid being crushed. By now I could hear and feel the impatience of the crowd. Jerry worked faster. I shut my eyes. A jittery Doc walked over to me and spat twice on the ground. “Listen, kid, don’t pay any attention to all them stiffs out there. We’ll kill him!”
― Jack Dempsey, Dempsey: By the Man Himself

“He was enormous. I got into my fighting crouch and delivered about half a dozen blows. He went down. The round wasn’t nearly over! The referee had begun the count when the Boston Bearcat raised his hand and interrupted him by saying, “The Bearcat is through.” I couldn’t believe it. The fight with the Bearcat really spurred me on. Now I fought more and more and trained harder than ever, running six or seven miles every morning before sunrise to strengthen my legs and my stamina. I adopted different methods to suit my size and talents. If a man fought down low, then I’d have to get down low too. If he was a puncher, I couldn’t box him; I had to fight him. Above all, I really got to know myself, to know my ability to take a blow and to know the extent of my endurance under different conditions. Missing a target only weakened my strength; it was better to duck, feint and weave. I practised ducking my head from side to side when charging in, making me harder to hit. When I was in the ring, if it was going well, very little went on in my head. I didn’t have time to think because I had to concentrate on what I was doing. If I got hurt and pain seared through my body, I’d hope that the fight would soon end. I was always aware of the lust for blood of a portion of the fight crowd. There was that unconscious wish to see something dramatic happen. Often those who seemed the most timid would be the ones who screamed their lungs out at ringside, hoping their voices would mingle with the others. But the fight crowd was an essential part of the fight game. Without the people, there would have been no color, no stimulation and of course no gate.”
― Jack Dempsey, Dempsey: By the Man Himself

“Sometimes we’d go into the local saloons and challenge the house. When that didn’t work, we’d challenge each other. Those saloons were friendly places, as long as we stayed away from guys who were on a bender and those involved in poker games. The men, while drinking, sang, and Johnny and I joined in whenever we could. I still remember the words from a song we were all fond of singing—in our flat, off-key voices. Judging from the words, I’d say it was composed before its time. “If I was a millionaire and had a lot of coin, I would plant a row of coke plantations, and grow Heroyn, I would have Camel cigarettes growin’ on my trees, I’d build a castle of morphine and live there at my ease. I would have forty thousand hop layouts, each one inlaid with pearls. I’d invite each old time fighter to bring along his girl. And everyone who had a habit, I’d have them leaping like a rabbit, Down at the fighters’ jubilee! Down at the fighters’ jubilee! Down on the Isle of H. M. and C. H. stands for heroyn, M. stands for morph, C. for cokoloro—to blow your head off. Autos and airships and big sirloin steaks, Each old time fighter would own his own lake. We’ll build castles in the air, And all feel like millionaires, Down at the fighters’ jubilee!” We had laughs singing that song in unison. In later years, however, just thinking about it filled me with a tremendous sadness, since the tragedy of hard drugs eventually destroyed my younger brother Johnny.”
― Jack Dempsey, Dempsey: By the Man Himself

“And so Andy Malloy became the first of many managers I was to have throughout my career. Up to the time I teamed up with Jack Kearns, the managers I had were mostly my friends or well-meaning acquaintances who tried to help me get fights, arranging the small details so that I could dedicate myself to my training. I never signed a contract with any of them, not even Kearns. It just didn’t seem necessary in those days; a handshake was stronger and more meaningful than any inked signature. The only ingredients necessary were respect and trust. There is no doubt in my mind that a fighter needs a manager. Ideally, a manager gets up good likely bouts, arranges suitable dates and times and living accommodations, hires and sometimes fires sparring partners, “sells” his fighter’s ability and skill to others by taking scouting trips and being a good press agent, and honestly handles all accounts as well. This gives the fighter more time to keep himself in shape, running miles, punching bags, jumping rope, sleeping. Together the fighter and the manager are a team, pulling and pushing toward the same goal. If either takes advantage of the other, underestimates or oversteps the given role, then that’s it; a loss of respect sets in and the whole relationship is shot to hell. If such a split does take place, it is usually the fighter who winds up with the short end of the stick. I learned many things from my manager Andy Malloy. I learned to make my body a complete unit, the muscles of my feet, legs, waist, back and shoulders all contributing to the power of my arm. He taught me, in short, that my entire body was at stake in the ring, not just my fists. He was a good teacher.”
― Jack Dempsey, Dempsey: By the Man Himself