Tar Baby Quotes

“At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.”
― Toni Morrison, Tar Baby

“A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.”
― Toni Morrison, Tar Baby

“The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.”
― Toni Morrison, Tar baby

“It was a silly age, twenty-five; too old for teenaged dreaming, too young for settling down. Every corner was a possibility and a dead end.”
― Toni Morrison, Tar Baby

“Imagine something. Something that fits in the dark. Say the dark is the sky at night. Imagine something in it.”
“A star?”
“Yes.”
“I can’t. I can’t see it.”
“Okay. Don’t try to see it. Try to be it. Would you like to know what it’s like to be one? Be a star?”
“A movie star?”
“No, a star star. In the sky. Keep your eyes closed, think about what it feels like to be one.” He moved over to her and kissed her shoulder. “Imagine yourself in that dark, all alone in the sky at night. Nobody is around you. You are by yourself, just shining there. You know how a star is supposed to twinkle? We say twinkle because that is how it looks, but when a star feels itself, it’s not a twinkle, it’s more like a throb. Star throbs. Over and over and over. Like this. Stars just throb and throb and throb and sometimes, when they can’t throb anymore, when they can’t hold it anymore, they fall out of the sky.”
― Toni Morrison, Tar Baby

“Let her go?' asked Son, and he smiled a crooked smile. Let go the woman you had been looking for everywhere just because she was difficult? Because she had a temper, energy, ideas of her own and fought back? Let go a woman whose eyebrows were a study, whose face was enough to engage your attention all your life? Let go a woman who was not only a woman but a sound, all the music he had ever wanted to play, a world and a way of being in it? Let that go? 'I can't,' he said. 'I can't.”
― Toni Morrison, Tar Baby

“At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens - that letting go - you let go because you can. The world will always be there - while you sleep it will be there - when you wake it will be there as well. So you can sleep and there is reason to wake. A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.”
― Toni Morrison, Tar Baby

“All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest.”
― Toni Morrison, Tar Baby

“Long ago she had given up trying to be deft or profound or anything in the company of people she was not interested in, who didn't thrill her.”
― Toni Morrison, Tar Baby

“I wonder if the person he wants to marry is me or a black girl? And if it isn't me he wants, but any black girl who looks like me, talks and acts like me, what will happen when he finds out that I hate ear hoops, that I don't have to straighten my hair, that Mingus puts me to sleep, that sometimes I want to get out of my skin and be only the person inside-- not American-- not black-- just me?”
― Toni Morrison, Tar Baby

“If she answered, he could not hear it, and he certainly couldn't see her, so he went. First he crawled the rocks one by one, one by one, till his hands touched shore and the nursing sound of the sea was behind him. He felt around, crawled off and then stood up. Breathing heavily with his mouth open he took a few tentative steps. The pebbles made him stumble and so did the roots of trees. He threw out his hands to guide and steady his going. By and by he walked steadier, now steadier. The mist lifted and the trees stepped back a bit as if to make the way easier for a certain kind of man. Then he ran. Lickety-split. Lickety-split. Looking neither to the left nor to the right. Lickety-split. Lickety-split. Lickety-lickety-lickety-split.”
― Toni Morrison, Tar Baby

“And all he could say was that he did not know. He was guilty, therefore, of innocence. Was there anything so loathsome as a willfully innocent man? Hardly. An innocent man is a sin before God. Inhuman and therefore unworthy. No man should live without absorbing the sins of his kind, the foul air of his innocence, even if it did wilt rows of angel trumpets and cause them to fall from their vines.”
― Toni Morrison, Tar Baby

“He had been looking for her all his life, and even when he thought he had found her, in other ports and other places, he shied away. He stood in her bedroom, a towel wrapped around his waist. Clean as a whistle, having just said the nastiest thing he could think of to her. Staring at a heart-red tree desperately in love with a woman he could not risk loving because he could not afford to lose her. For if he loved and lost this woman whose sleeping face was the limit his eyes could safely behold and whose wakened face threw him into confusion, he would surely lose the world. So he made himself disgusting to her. Insulted and offended her. Gave her sufficient cause to help him keep his love in chains and hoped to God the lock would hold. It snapped like a string.”
― Toni Morrison, Tar Baby

“A daughter is a woman that cares about where she come from and takes care of them that took care of her.”
― Toni Morrison, Tar Baby

“All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest. Then comes the image, the picture of the thing that I have to invent: the headless bride in her wedding dress; the forest clearing. There is performance, too: “zzz went the saw,” accompanied by gesture. And cadence: “Old man Simon Gillicutty, caaatch me.” I need to use everything—sound, image, performance—to get at the full meaning of the story”
― Toni Morrison, Tar Baby

“At some point in life the world's beauty becomes enough. You don't need to photograph, paint, or even remember it. It is enough.”
― Toni Morrison, Tar Baby

“he probably thought he was a law-abiding man, they all did, and they all always did, because they had not the dignity of wild animals who did not eat where they defecated but they could defecate over a whole people and come there to live and defecate some more by tearing up the land”
― Toni Morrison, Tar Baby

“I ain’t. Keeps him dumb. He wouldn’t know a good woman from a snake and he won’t let nobody point out the difference.”
― Toni Morrison, Tar Baby

“White but European which was not as bad as white and American;”
― Toni Morrison, Tar Baby

“There had been two or three girls who had helped him enter the fifties (lovely, lovely). Nothing to worry Margaret had she known. Merely life preservers in the post-fifty ocean, helping him make it to shore.”
― Toni Morrison, Tar Baby

“He wanted her in that room with him giving him the balance he was losing, the ballast and counterweight to the stone of sorrow New York City had given him.”
― Toni Morrison, Tar Baby

“At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to.”
― Toni Morrison, Tar Baby

“prestressed concrete and steel contained anger, folded it back on itself to become a craving for things rather than vengeance”
― Toni Morrison, Tar Baby

“More awful than the fear of danger was the fear of looking foolish—of being excited when others were laid back—of being somehow manipulated,”
― Toni Morrison, Tar Baby

“The men had gnawed through the daisy trees until, wild-eyed and yelling, they broke in two and hit the ground. In the huge silence that followed their fall, orchids spiraled down to join them.”
― Toni Morrison, Tar Baby

“Yummy food, unique attention, playfulness, or loving sternness—these features are often summoned to sweeten one’s memory of a grandmother.”
― Toni Morrison, Tar Baby

“I need to use everything—sound, image, performance—to get at the full meaning of the story”
― Toni Morrison, Tar Baby

“He saw the polar bear and then he saw her. The bear was standing on its hind feet, its front ones raised in benediction. A rosy-cheeked girl was holding on to one of the bear's forefeet like a bride. The plastic igloo behind them threw into dazzling relief her red velvet coat and the ermine muff she waved to the crowd. The moment he saw her something inside him knelt down.”
― Toni Morrison, Tar Baby

“She’s special, Old Man.” “So am I, Son. So am I.”
― Toni Morrison, Tar Baby

“Every night. Well, she burnin up down there now, her and her nasty daughter…”
― Toni Morrison, Tar Baby