Demons in the Spring Quotes

“It will happen soon. Someday you will find yourself surrounded by people with the exact same interests as you, and you will never feel out of place again,” I say, already wary of the incredible lie I am telling.”
― Joe Meno, Demons in the Spring

“Being decent is the only thing that matters in a terrible world like this.”
― Joe Meno, Demons in the Spring

“We have fun acting like this, acting like we are incredibly offended. Really, we are just bored to tears with everything.”
― Joe Meno, Demons in the Spring

“Apples are kissing other apples. Gray cats are kissing other gray cats. Trees are kissing trees. You and I are not kissing. We work in an office together. We are both married to other people. It is okay because we only have ideas, you and I, about whether we should kiss or not. These ideas are both good and bad, probably.
At work, we do not say these words aloud but make elaborate diagrams for one another. You write these words: Kissing you would be like this, and draw a picture of two butterflies being struck by lightning. I stare at it and wonder if you may be right. I do my own drawing and write, Kissing you would be like this, and sketch a picture of a man made of ice kissing a woman who is actually a stove. We have made hundreds of these drawings. We do not actually do any work.”
― Joe Meno, Demons in the Spring

“I did a bad thing tonight, one of the most terrible things ever: I waited for her to fall asleep, then stole the sheet from under her head. I am missing you or maybe just the idea of you. I have begun seriously thinking about other men. I am afraid I am not strong enough or tough enough for this. I am afraid all the time. I have not slept well in months. When are you coming back, you jerk? We are all trying to be brave without you and doing a real crummy job of it. I do not want to have to be brave anymore without you.”
― Joe Meno, Demons in the Spring

“I figured Alan wasn’t really Alan anymore, that maybe the meds or the disease had made him someone else, someone more timid, someone I actually felt close to. I kept hoping that this would be it, that this would be as bad as it would ever get.”
― Joe Meno, Demons in the Spring

“His face almost looked the way it did when he was a teenager, when there was the subtle expression of both confidence and mischief in his darkly handsome eyes. When I think of him now, though, I don’t picture his face the way it is. What I see is from a memory, from a moment when he must have been eleven or twelve years old and we were both in our backyard and it was summertime and I was drawing in a coloring book and he was there in the green grass and he didn’t know I was watching him. He was crawling around on all fours; he was practicing being a lion or a tiger or more probably a leopard and he was growling to himself, stalking the shadow of a bird, and he didn’t see me staring at him and I think my mother was there, looking at us from an upstairs window, watching us both and gently smiling, and what I remember most is that all of us were happy then with who we were at that moment; at that moment, all of us were quietly happy.”
― Joe Meno, Demons in the Spring

“An apple could make you laugh: You are so charming. On our lunch, we find our way along the crowded boulevard. You stop abruptly and pluck two green apples from someone selling them on the street. You look at them and decide they are in love, these two apples. You make them whisper to one another. You make them dance: The kinds of dances they do are dainty. spontaneous. At the end of the dancing, the apples get marries in a little ceremony. After the two apples kiss, you and I laugh. It’ll be okay going for the two apples, they will get on fine, anyone can tell. Together, we walk back to the office and hate each other for how easily we can laugh about this.”
― Joe Meno, Demons in the Spring

“People are just greedy animals, after all.”
― Joe Meno, Demons in the Spring

“You scan the cheering bleachers for the strange boy’s face: handsome, reserved, with the eye patch, a little dramatic, a little scary. You finally find him sitting there in the middle of the sixth row. He is wearing a dark green army jacket and is staring back at you. He looks sad and beautiful, like a watercolor in a hospital room.”
― Joe Meno, Demons in the Spring

“Kristin nods, marching ahead of Clark, who gazes as the impossible smallness of Kristin’s ankles and feet. Years later, while imprisoned for drug charges, he will think of those tiny feet and know he is forever doomed for having lied to her, for having harmed something so delicate, so defenseless, so small, so weak.”
― Joe Meno, Demons in the Spring

“You are saying, I would like to but I could never forgive you or myself. I am saying, if you let me kneel before you once, I can live without forgiveness for a very long time.”
― Joe Meno, Demons in the Spring

“This man has the same kind of charm, the kind that suggests weakness, the kind that indicates how sad he will always make her feel. There is something dependable, unfailing in this sort of sadness.”
― Joe Meno, Demons in the Spring

“What Mr. Albee most desires is for the Model UN, the entire group of them, all eleven, even the scoundrel Quinn, to be there waiting, when he gets home each dreary night, and there again when he awakes in the morning, all of them politely debating one another with their resplendent voices, their hearts—which have not yet been broken by anything more serious than an unrequited crush or an unfair grade—quietly aglow with everything.”
― Joe Meno, Demons in the Spring