Monster Mix Quotes

“It was so easy to be wise in the explanation of an experience one has not personally witnessed.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Deep silence fell about the little camp, planted there so audaciously in the jaws of the wilderness. The lake gleamed like a sheet of black glass beneath the stars. The cold air pricked. In the draughts of night that poured their silent tide from the depths of the forest, with messages from distant ridges and from lakes just beginning to freeze, there lay already the faint, bleak odors of coming winter.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Like many another materialist, that is, he lied cleverly on the basis of insufficient knowledge, because the knowledge supplied seemed to his own particular intelligence inadmissible.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it
would come - and come it did.

Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide.

The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught.

'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees.

And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust
and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts...

It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think...

The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Mind you, I cannot swear that my story is true. It may have been a dream; or worse, a symptom of some severe mental disorder. But I believe it is true. After all, how are we to know what things there are on earth? Strange monstrosities still exist, and foul, incredible perversions. Every war, each new geographical or scientific discovery, brings to light some new bit of ghastly evidence that the world is not altogether the same place we fondly imagine it to be. Sometimes peculiar incidents occur which hint of utter madness.

How can we be sure that our smug conceptions of reality actually exist? To one man in a million dreadful knowledge is revealed, and the rest of us remain mercifully ignorant. There have been travelers who never came back, and research workers who disappeared. Some of those who did return were deemed mad because of what they told, and others sensibly concealed the wisdom that had so horribly been revealed. Blind as we are, we know a little of what lurks beneath our normal life. There have been tales of sea serpents and creatures of the deep; legends of dwarfs and giants; records of queer medical horrors and unnatural births. Stunted nightmares of men's personalities have blossomed into being under the awful stimulus of war, or pestilence, or famine. There have been cannibals, necrophiles, and ghouls; loathsome rites of worship and sacrifice; maniacal murders, and blasphemous crimes. When I think, then, of what I saw and heard, and compare it with certain other grotesque and unbelievable authenticities, I begin to fear for my reason. ("The Mannikin")”
― Robert Bloch, Monster Mix

“He gave it the benefit of the doubt; he was Scotch.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Simpson, the student of divinity, it was who arranged his conclusions probably with the best, though not most scientific, appearance of order. Out there, in the heart of unreclaimed wilderness, they had surely witnessed something crudely and essentially primitive. Something that had survived somehow the advance of humanity had emerged terrifically, betraying a scale of life monstrous and immature. He envisaged it rather as a glimpse into prehistoric ages, when superstitions, gigantic and uncouth, still oppressed the hearts of men: when the forces of nature were still untamed, the Powers that may have haunted a primeval universe not yet withdrawn. To this day he thinks of what he termed years later in a sermon 'savage and formidable Potencies lurking behind the souls of men, not evil perhaps in themselves, yet instinctively hostile to humanity as it exists.'

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Ah, this delicious night air,' she said, luxuriously sniffing in the coolness. 'Night air and gardening are the great tonics. There is nothing so stimulating as bare contact with rich mother earth. You are never so fresh as when you have been grubbing in the soil - black hands, black nails, and boots covered with mud.' She gave her great jovial laugh.

'I'm a glutton for air and earth,' she said. 'Positively I look forward to death, for then I shall be buried and have the kind earth all round me. No leaden caskets for me - I have given explicit directions. But what shall I do about air? Well, I suppose one can't have everything.'

("Mrs. Amworth")”
― E.F. Benson, Monster Mix

“The functions of the human frame are, broadly speaking, known. They are a country, anyhow, that has been charted and mapped out. But outside that lie huge tracts of undiscovered country, which certainly exist, and the real pioneers of knowledge are those who, at the cost of being derided as credulous and superstitious, want to push on into
those misty and probably perilous places. I felt that I could be of more use by setting out without compass or knapsack into the mists than by sitting in a cage like a canary and chirping about what was known. Besides, teaching is very very bad for a man who knows himself only to be a learner: you only need to be a self-conceited ass to teach. ("Mrs. Amworth")”
― E.F. Benson, Monster Mix

“Now there was great rejoicing at the rumor of Alderic's quest, for all folk knew that he was a cautious man, and they deemed that he would succeed and enrich the world, and they rubbed their hands in the cities at the thought of largesse; and there was joy among all men in Alderic's country, except perchance among the lenders of money, who feared they would soon be paid. And there was rejoicing also because men hoped that when the Gibbelins were robbed of their hoard, they would shatter their high-built bridge and break the golden chains that bound them to the world, and drift back, they and their tower, to the moon, from which they had come and to which they rightly belonged. There was little love for the Gibbelins, though all men envied their hoard.

("The Hoard Of The Gibbelins")”
― Lord Dunsany, Monster Mix

“Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among the makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well.

It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise.

("The Hoard Of The Gibbelins")”
― Lord Dunsany, Monster Mix

“Yes, Doctor,' I said. 'In brief, your argument is that Life is a thing, state, fact, or element, call-it-what-you-like, which requires the Material through which to manifest itself, and that given the Material, plus the Conditions, the result is Life. In other words, that Life is an evolved product, manifested through Matter, and bred of Conditions - eh?'

'As we understand the word,' said the old Doctor. 'Though, mind you, there may be a third factor. But, in my heart, I believe that it is a matter of chemistry; Conditions and a suitable medium; but given the Conditions, the Brute is so almighty that it will seize upon anything through which to manifest itself. It is a Force generated by Conditions; but nevertheless this does not bring us one iota nearer to its explanation, any more than to the explanation of Electricity or Fire. They are, all three, of the Outer Forces - Monsters of the Void. Nothing we can do will create any one of them; our power is merely to be able, by providing the Conditions, to make each one of them manifest to our physical senses. Am I clear?'

("The Derelict")”
― William Hope Hodgson, Monster Mix

“For he felt about the whole affair the touch somewhere of a great Outer Horror - and his scattered powers had not as yet had time to collect themselves into a definite attitude of fighting self-control. ("The Wendigo")”
― Algernon Blackwood, Monster Mix

“In spite of his exceeding mental perturbation, Simpson struggled hard to detect its nature, and define it, but the ascertaining of an elusive scent, not recognized subconsciously and at once, is a very subtle operation of the mind. And he failed. It was gone before he could properly seize or name it. Approximate description, even, seems to have been difficult, for it was unlike any smell he knew. Acrid rather, not unlike the odor of a lion, he thinks, yet softer and not wholly unpleasing, with something almost sweet in it that reminded him of the scent of decaying garden leaves, earth, and the myriad, nameless perfumes that make up the odor of a big forest. Yet the 'odor of lions' is the phrase with which he usually sums it all up.

("The Wendigo")”
― Algernon Blackwood, Monster Mix

“Men may sail the seas for a lifetime and seldom, if ever, come in contact with the nightmare monsters that inhabit the caves and cliffs of the ocean floor. Gazing down at the slightly muddy water, the men of The Unicorn saw a squirming mass of interwoven tentacles resembling enormous snakes, immensely thick and long and tapering at their free ends to the size of a man's thumb. It was a foul sight, an obscene growth from the dark places of the world, where incessant hunger is the driving force. At one place, down near the bulge of the hull, appeared a staring gorgon face with great lidless eyes and a huge parrot beak that moved slightly, opening and shutting as though it had just crunched and swallowed a meal of warm flesh.

("Fire In The Galley Stove")”
― William Outerson, Monster Mix

“Through all his years of roving, even on nights like this, he had remained blind to the beauty of the sea, and now his feeling toward it had settled into weary hatred. He knew its effects of blended color, its wide gradations of sound and action, the tireless charm of a sailing ship's effortless movement, the quality of silent distance and the wonder of the skies. Dimly at times, in moments of rare emotion, he had caught a glimpse of the mystic hand that beckons beyond the horizon and felt for a little while the fated urge of the wanderer. But that was in the beginning, long ago when he had first gone to sea, and he had forgotten it.

("Fire In The Galley Stove")”
― William Outerson, Monster Mix