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Zona: A Book About a Film About a Journey to a Room Zona: A Book About a Film About a Journey to a Room by Geoff Dyer
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“If the regular length of a shot is increased, one becomes bored, but if you keep on making it longer, a new quality emerges, a special intensity of attention.' At first there can be a friction between our expectations of time and Tarkovsky-time and this friction is increasing in the twenty-first century as we move further and further away from Tarkovsky-time towards moron-time in which nothing can last—and no one can concentrate on anything—for longer than about two seconds.”
Geoff Dyer, Zona: A Book About a Film About a Journey to a Room
“...if mankind was put on earth to create works of art, then other people were put on earth to comment on those works, to say what they think of them. Not to judge objectively or critically assess these works but to articulate their feelings about them with as much precision as possible, without seeking to disguise the vagaries of their nature, their lapses of taste and the contingency of their own experiences, even if those feelings are of confusion, uncertainty or-in this case-undiminished wonder.”
Geoff Dyer, Zona: A Book About a Film About a Journey to a Room
“If the regular length of a shot is increased, one becomes bored, but if you keep on making it longer, it piques your interest, and if you make it even longer, a new quality emerges, a special intensity of attention.’ This is Tarkovsky’s aesthetic in a nutshell.”
Geoff Dyer, Zona: A Book About a Film About a Journey to a Room
“Albert Camus believed that ‘a man’s work is nothing but this slow trek to rediscover through the detours of art those two or three great and simple images in whose presence his heart first opened.”
Geoff Dyer, Zona: A Book About a Film About a Journey to a Room