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Critical Practice (New Accents) Critical Practice by Catherine Belsey
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“Here the individual experience of thinking, 'how it feels', is presented as the ultimate evidence for the nature of thought. But as I hope Chapter 2 will make clear, language is not an imitation of thought, but its condition. It is only within language that the production of meaning is possible, however much our individual experience of producing meaning is one of stumbling and panic, and of looking for adequate formulations of what seems intuitive. Of course it is true that the written text does not necessarily reproduce the empirical process of thinking, but our analysis of the nature of thought need not confine itself to the question of how it feels to think. Frye's final appeal to experience, in conjunction with his account of a thought process culminating in 'a completely incommunicable intuition' places him within the same empiricist-idealist problematic as the New Critics. And for all its claims to science and systematicity, his own theory, like theirs, is fundamentally non-explanatory. Meaning for Frye inheres timelessly in 'verbal structures', intuitively available to readers in quite different ages and places because they recognize in them the echo of their own wishes and anxieties. But the only evidence for this concept of an essentially unchanging human nature is precisely the body of literary texts which the concept apparently offers to explain. The relationship between desire and language and between language and meaning is not discussed. At the same time, Frye's theory”
Catherine Belsey, Critical Practice