'Nature and the Greeks' and 'Science and Humanism' Quotes
'Nature and the Greeks' and 'Science and Humanism'
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Erwin Schrödinger205 ratings, 4.16 average rating, 25 reviews
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'Nature and the Greeks' and 'Science and Humanism' Quotes
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“We do not belong to this material world that science constructs for us. We are not in it; we are outside. We are only spectators. The reason why we believe that we are in it, that we belong to the picture, is that our bodies are in the picture. Our bodies belong to it. Not only my own body, but those of my friends, also of my dog and cat and horse, and of all the other people and animals. And this is my only means of communicating with them.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
“Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
“I am very astonished that the scientific picture of the real world around me is very deficient. It gives us a lot of factual information, puts all of our experience in a magnificently consistent order, but it is ghastly silent about all and sundry that is really near to our heart that really matters to us. It cannot tell us a word about red and blue, bitter and sweet, physical pain and physical delight; it knows nothing of beautiful and ugly, good or bad, God and eternity. Science sometimes pretends to answer questions in these domains but the answers are very often so silly that we are not inclined to take them seriously.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
“The scientific world-picture vouchsafe a very complete understanding of all that happens—it makes it just a little too understandable. It allows you to imagine the total display as that of a mechanical clock-work, which for all that science knows could go on just the same as it does, without there being consciousness, will, endeavour, pain and delight and responsibility connected with it—though they actually are. And the reason for this disconcerting situation is just this, that, for the purpose of constructing the picture of the external world, we have used the greatly simplifying device of cutting our own personality out, removing it; hence it it gone, it has evaporated, it is ostensibly not needed.
In particular, and most importantly, this is the reason why the scientific world-view contains of itself no ethical values, no aesthetical values, not a word about our own ultimate scope or destination, and no God, if you please. Whence came I, whither go I?
Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears.
Science, we believe, can, in principle, describe in full detail all that happens in the latter case in our sensorium and 'motorium' from the moment the waves of compression and dilation reach our ear to the moment when certain glands secrete a salty fluid that emerges from our eyes. But of the feelings of delight and sorrow that accompany the process science is completely ignorant—and therefore reticent.
Science is reticent too when it is a question of the great Unity—the One of Parmenides—of which we all somehow form part, to which we belong. The most popular name for it in our time is God—with a capital 'G'. Science is, very usually, branded as being atheistic. After what we said, this is not astonishing. If its world-picture does not even contain blue, yellow, bitter, sweet—beauty, delight and sorrow—, if personality is cut out of it by agreement, how should it contain the most sublime idea that presents itself to human mind?”
― 'Nature and the Greeks' and 'Science and Humanism'
In particular, and most importantly, this is the reason why the scientific world-view contains of itself no ethical values, no aesthetical values, not a word about our own ultimate scope or destination, and no God, if you please. Whence came I, whither go I?
Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears.
Science, we believe, can, in principle, describe in full detail all that happens in the latter case in our sensorium and 'motorium' from the moment the waves of compression and dilation reach our ear to the moment when certain glands secrete a salty fluid that emerges from our eyes. But of the feelings of delight and sorrow that accompany the process science is completely ignorant—and therefore reticent.
Science is reticent too when it is a question of the great Unity—the One of Parmenides—of which we all somehow form part, to which we belong. The most popular name for it in our time is God—with a capital 'G'. Science is, very usually, branded as being atheistic. After what we said, this is not astonishing. If its world-picture does not even contain blue, yellow, bitter, sweet—beauty, delight and sorrow—, if personality is cut out of it by agreement, how should it contain the most sublime idea that presents itself to human mind?”
― 'Nature and the Greeks' and 'Science and Humanism'
“I am very astonished that the scientific picture of the real world around me is very deficient. It gives a lot of factual information, puts all our experience in a magnificently consistent order, but is ghastly silent about all that is really near to our heart, that really matters to us. It cannot tell us a word about red and blue, bitter and sweet, physical pain and physical delight; it knows nothing of beautiful and ugly, good or bad, God and eternity. Science sometimes pretends to answer questions in these domains, but the answers are very often so silly that we are not inclined to take them seriously.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
“Instead of filling a gap by guesswork, genuine science prefers to put up with it; and this, not so much from conscientious scruples about telling lies, as from the consideration that, however irksome the gap may be, its obliteration by a fake removes the urge to seek after a tenable answer. So efficiently may attention be diverted that the answer is missed even when, by good luck, it comes close at hand.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
“Dejando de lado la metáfora, pienso que la filosofía de los antiguos griegos nos atrae hoy porque nunca antes o desde entonces, en ningún lugar del mundo, se ha establecido nada parecido a su altamente avanzado y articulado sistema de conocimiento y especulación sin la fatídica división que nos ha estorbado durante siglos y que ha llegado a hacerse insufrible en nuestros días.”
― 'Nature and the Greeks' and 'Science and Humanism'
― 'Nature and the Greeks' and 'Science and Humanism'
