The Lime Works Quotes

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The Lime Works The Lime Works by Thomas Bernhard
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The Lime Works Quotes Showing 1-6 of 6
“But instead of thinking about my book and how to write it, as I go pacing the floor, I fall to counting my footsteps until I feel about to go mad.”
Thomas Bernhard, The Lime Works
“Speaking of his country, his own homeland, a man could not exist in it, get along in it for a single day, except by never once telling the truth, to anyone, about anything, because the lie alone kept things moving in this country, the lie with its seven veils and embroideries and masquerades and intimidations. In this country the lie is valued above all, the truth only gets one prosecuted, condemned, and ridiculed. Which is why Konrad did not conceal the fact that his entire nation had taken refuge in the lie.”
Thomas Bernhard, The Lime Works
“All that was left was the recollection of having had a good idea, a recurrent experience of having had a good, an excellent, a most important idea, a truly fundamental idea, but one never remembered itself the idea from one moment to the next, memory was something you simply couldn’t depend on, a man’s memory set him traps he’d walk into and find himself hopelessly lost in, Konrad said, a man’s memory lured him into a trap and then deserted him; it happened over and over again that a man’s memory lured him into a trap, or several traps, thousands of traps, and then deserted him, left him all alone, alone in limitless despair because he felt drain of all thought; Konrad had come to observe this geriatric phenomenon and had begun to be more and more terrified of it, he was in fact prepared to state that a man’s youthful memory was capable of turning into an old man’s memory from one moment to the next, with no warning whatsoever, suddenly you found yourself with an old man’s memory, unprepared by such warning signals as a failure , from time to time, in trifling matters, brief lapses of omissions, the way a mental footbridge or gangplank might give a bit as one passed over it; no, old age set in from one moment to the next, many a man made this abrupt passage from youth to age quite early in life, a sudden shift from being the youngest to the oldest of men, a characteristic of so-called brain workers, who tended, basically, not to have a so-called extended youth, no gradual transitions from youth to age, with them the change occurred momentarily, without warning, suddenly, mortally, you found yourself in old age. (…) An old man needs a crutch, he needs crutches, every old man carries invisible crutches, Konrad said, all those millions and billions of old people on crutches, millions, billions, trillions of invisible crutches, my friend, no one else may see them but I see them, I am one of those who cannot help seeing those invisible billions, trillions of crutches, there’s not a moment, Konrad said, in which I do not see those billions, those trillions of crutches. Those millions of ideas, he said, that I had and lost, that I forgot from one moment to the next. Why I could populate a vast metropolis of thought with all those lost ideas of mine, I could keep it afloat, a whole world, a whole history of mankind could have lived on all the ideas that I lost. How untrustworthy my memory has become!”
Thomas Bernhard, The Lime Works
“Las palabras echan a perder lo que se piensa, el papel ridiculiza lo que se piensa.”
Thomas Bernhard, The Lime Works
“High-ceilinged empty rooms make a terrible impression on first entering a house.”
Thomas Bernhard, The Lime Works
“…he kept saying to himself, I will not sell the Francis Bacon, never the Francis Bacon, absolutely not, I will not sell the Francis Bacon, no I won’t, not the Francis Bacon.”
Thomas Bernhard, The Lime Works