Catherine the Great Quotes
Catherine the Great: Portrait of a Woman
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Robert K. Massie108,118 ratings, 3.94 average rating, 4,687 reviews
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Catherine the Great Quotes
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“The love of power and the power to attract love were not easy to reconcile.”
― Catherine The Great
― Catherine The Great
“Books were her refuge. Having set herself to learn the Russian language, she read every Russian book she could find. But French was the language she preferred, and she read French books indiscriminately, picking up whatever her ladies-in-waiting happened to be reading. She always kept a book in her room and carried another in her pocket.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“To prove to [her friend, Swedish diplomat Count] Gyllenborg that she was not superficial, Catherine composed an essay about herself, "so that he would see whether I knew myself or not." The next day, she wrote and handed to Gyllenborg an essay titled 'Portrait of a Fifteen-Year-Old Philosopher.' He was impressed and returned it with a dozen pages of comments, mostly favorable. "I read his remarks again and again, many times [Catherine later recalled in her memoirs]. I impressed them on my consciousness and resolved to follow his advice. In addition, there was something else surprising: one day, while conversing with me, he allowed the following sentence to slip out: 'What a pity that you will marry! I wanted to find out what he meant, but he would not tell me.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I have listened with the greatest pleasure to all the inspirations of your brilliant mind. But all your grand principles, which I understand very well, would do splendidly in books and very badly in practice. In your plans for reform, you are forgetting the difference between our two positions: you work only on paper which accepts anything, is smooth and flexible and offers no obstacles either to your imagination or your pen, while I, poor empress, work on human skin, which is far more sensitive and touchy.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“You were in a mood to quarrel. Please inform me when this inclination passes.
(Catherine, in a letter to Grigory Potemkin).”
― Catherine the Great: Portrait of a Woman
(Catherine, in a letter to Grigory Potemkin).”
― Catherine the Great: Portrait of a Woman
“Catherine had to treat the church hierarchy carefully. She had always exercised a rational flexibility in matters of religious dogma and policy. Brought up in an atmosphere of strict Lutheranism, she had as a child expressed enough skepticism about religion to worry her deeply conventional father. As a fourteen-year-old in Russia, she had been required to change her religion to Orthodoxy. In public, she scrupulously observed all forms of this faith, attending church services, observing religious holidays, and making pilgrimages. Throughout her reign, she never underestimated the importance of religion. She knew that the name of the autocrat and the power of the throne were embodied in the daily prayers of the faithful, and that the views of the clergy and the piety of the masses were a power to be reckoned with. She understood that the sovereign, whatever his or her private views of religion, must find a way to make this work. When Voltaire was asked how he, who denied God, could take Holy Communion, he replied that he “breakfasted according to the custom of the country.” Having observed the disastrous effect of her husband’s contemptuous public rejection of the Orthodox Church, Catherine chose to emulate Voltaire.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“For to tempt and to be tempted are things very nearly allied.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“This marriage had resulted from impulse: he had seen her on a high-flying swing at Tsarkoe Selo and her skirt, flared by the breeze, had exposed her ankles; he had proposed the following day.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I used to say to myself that happiness and misery depend on ourselves. If you feel unhappy, rise above it and act so that your happiness may be independent of all outside events.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“In January in Northern Russia, everything vanishes beneath a deep blanket of whiteness. Rivers, fields, trees, roads, and houses disappear, and the landscape becomes a white sea of mounds and hollows. On days when the sky is gray, it is hard to see where earth merges with air. On brilliant days when the sky is a rich blue, the sunlight is blinding, as if millions of diamonds were scattered on the snow, refracting light. In Catherine's time, the log roads of summer were covered with a smooth coating of snow and ice that enabled the sledges to glide smoothly at startling speeds; on some days, her procession covered a hundred miles.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“This,” Catherine wrote later, “is the effect that can be produced by a stupid, carelessly spoken word—it is never forgotten.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“We human beings often see only what is before our eyes. But God in His infinite justice searches the heart and our secret motives and manifests accordingly to us His mercy.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“She was intelligent, well read, and a shrewd judge of character. During the coup, she had shown determination and courage; once on the throne, she displayed an open mind, willingness to forgive, and a political morality founded on rationality and practical efficiency. She softened imperial presence with a sense of humor and a quick tongue; indeed, with Catherine more than any other monarch of her day, there was always a wide latitude for humor. There was also a line not be crossed, even by close friends. She had come to the throne with the support of the army, the church, most of the nobility, and the people of St. Petersburg, all of whom assisted her because her personality and character offered stark contrasts to the domineering ineptitude of her husband. The coup itself created few enemies, and in the first weeks of her reign, she faced no opposition.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I would say about myself that I was a true gentleman with a mind more male than female, but, together with this, I was anything but masculine and, combined with the mind and character of a man, I possessed the attractions of a loveable woman. May I be pardoned for offering this candid expression of my feelings instead of trying to cover them a veil of false modesty. This”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“The very tall Monsieur Sievers, who was wearing a hoop skirt the empress had lent him, was dancing a Polonaise with me. Countess Hendrikova, who was dancing behind me, stumbled over the hoop skirt of Monsieur Sievers as he turned around with his hand in mine. In falling, she struck me so hard that I fell beneath the hoop skirt of Monsieur Sievers which had sprung upright beside me. Sievers himself became entangled in his own long skirts which were in great disorder and there we were, all three of us, sprawling on the floor with me entirely covered by his skirt. I was dying of laughter trying to get up, but people had to come and help us up because the three of us were so entangled in Monsieur Sievers’s clothing that no one could get up without causing the other two to fall down.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“She had dealt with her pregnancy by wrapping herself in dreams.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“My friend,” he said, “there is no worse traitor than a small lapdog. The first thing I always do when I am in love with a woman is to give her one of these little dogs. This way, I can always discover whether there is someone more favored than myself. The test is infallible. As you saw just now, the dog wanted to bite me because I am a stranger, but when it saw you, it went mad with joy.” Two days after this visit, Poniatowski left Russia.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I do not know whether as a child I was really ugly, but I remember well that I was often told that I was and that I must therefore strive to show inward virtues and intelligence. Up to the age of fourteen or fifteen, I was firmly convinced of my ugliness and was therefore more concerned with acquiring inward accomplishments and was less mindful of my outward appearance.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“I took good care not to tell anybody that I had resolved never to love without restraint a man who would not return this love in full; such was my disposition that my heart would have belonged entirely and without reserve to a husband who loved only me.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“Her silver brocade wedding gown was of the most shimmering cloth I have ever seen, encrusted with glittering embroidery of silver roses. It had a wide skirt, a seventeen inch waist, and a tight bodice with short sleeves. [She wore] superb jewels: bracelets, drop earrings, brooches, rings.… The precious stones with which she was covered, gave her a charming appearance.… Her complexion has never been lovelier.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“It is not as easy as you think,” she replied. “In the first place, my orders would not be carried out unless they were the kind of orders which could be carried out. You know with what prudence and circumspection I act in the promulgation of my laws. I examine the circumstances, I take advice, I consult the enlightened part of the people, and in this way I find out what sort of effect my laws will have. And when I am already convinced in advance of good approval, then I issue my orders, and have the pleasure of observing what you call blind obedience. That is the foundation of unlimited power. But, believe me, they will not obey blindly when orders are not adapted to the opinion of the people.” She was aware that aspects of her personal life were criticized; her reply was that her life had been unique. “Before I became what I am today, I was thirty-three years the same as other people. It is only thirty years since I have become what they are not, and that teaches one to live.” After”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“She sent me a bottle with a liquid composed of lemon juice, egg white and French brandy. In a few days my sunburn disappeared and since then I have always used this mixture. One”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“When the moment of departure arrived, Catherine and Peter accompanied Johanna on the short first stage of her journey, from Tsarskoe Selo to nearby Krasnoe Selo. The next morning, Johanna left before dawn without saying goodbye; Catherine assumed that it was “not to make me any sadder.” Waking up and finding her mother’s room empty, she was distraught. Her mother had vanished—from Russia and from her life. Since Catherine’s birth, Johanna had always been present, to guide, prompt, correct, and scold. She might have failed as a diplomatic agent; she certainly had not become a brilliant figure on the European stage; but she had not been unsuccessful as a mother. Her daughter, born a minor German princess, was now an imperial grand duchess on a path to becoming an empress.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“What had I not to suffer from the voice of an irrational and cruel public opinion when this question was considered by the Legislative Commission? The mob of nobles … began to suspect that these discussions might bring about an improvement in the position of the peasants.… I believe that there were not twenty human beings who reflected on the subject with humanity.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“Catherine approved this choice reluctantly. She recognized Peter Panin’s military abilities, but she disliked him personally. He had often declared that Russia should be ruled by a man; his preference was Grand Duke Paul. Catherine also worried about his reputation as a military martinet and about his unconventional personal behavior: he sometimes appeared in his headquarters wearing a gray satin nightgown and a large French nightcap with pink ribbons.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“Madame, you must be gay; only thus can life be endured. I speak from experience for I have had to endure much, and have only been able to endure it because I have always laughed whenever I had the chance.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“Why is almost the whole earth governed by monarchs?” Voltaire asked. “The honest answer is because men are rarely worthy of governing themselves.… Almost nothing great has ever been done in the world except by the genius and firmness of a single man combating the prejudices of the multitude.… I do not like government by the rabble.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“This was not what Europe or Prussia had expected. In his childhood, Frederick had been a dreamy, delicate boy, often beaten by his father, King Frederick William I, for being unmanly. As an adolescent, he wore his hair in long curls hanging down to his waist, and costumed himself in embroidered velvet. He read French writers, wrote French poetry, and performed chamber music on the violin, the harpsichord, and the flute.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
“Later, concealment of pride in humility came to be recognized as a deliberate and useful tactic which Sophia—renamed Catherine—used when confronting crisis and danger. Threatened, she drew around herself a cloak of meekness, deference, and temporary submission.”
― Catherine the Great: Portrait of a Woman
― Catherine the Great: Portrait of a Woman
