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Frank: The Voice Frank: The Voice by James Kaplan
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“I’m a Fool” may not be a great song, but Sinatra’s shattering performance of it transcends the material. His emotion is so naked that we’re at once embarrassed and compelled: we literally feel for him.”
James Kaplan, Frank: The Voice
“One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.”
James Kaplan, Frank: The Voice
“to be all the way across the country. “Dad was on the air in the middle of a radio show broadcast live from Hollywood”
James Kaplan, Frank: The Voice
“Sinatra once said that the only two people he was ever afraid of were his mother and Tommy Dorsey—a flip comment but also a sincere and deeply significant one.”
James Kaplan, Frank: The Voice
“You can’t explain what it is about the sound of Sinatra’s voice,” Feinstein says. “I mean, you can try, and you can get very poetic in describing it. But there is something there that is transcendent, that simply exists in his instrument. He developed it, he honed it, he understood it himself, he knew what he could do, and he used it to his best advantage. That was something that people responded to.”
James Kaplan, Frank: The Voice
“I ducked the party, lost the crowds, and took a walk,” he said years later. “Just me and Oscar! I think I relived my entire lifetime that night as I walked up and down the streets of Beverly Hills. Even when a cop stopped me, he couldn’t bring me down to earth. It was very nice of him, although I did have to wait until his partner came cruising to assure him that I was who I said I was and that I had not stolen the statue I was carrying.” But he had not stolen the statue. He was Frank Sinatra.”
James Kaplan, Frank: The Voice
“dead at the Waldorf-Astoria’s Wedgwood Room, a venue of such high tone that Cole Porter himself descended”
James Kaplan, Frank: The Voice
“the Apollonian marvel of the piece”):”
James Kaplan, Frank: The Voice