Let Us Now Praise Famous Men Quotes

“Isn’t every human being both a scientist and an artist; and in writing of human experience, isn’t there a good deal to be said for recognizing that fact and for using both methods?”
― James Agee, Let Us Now Praise Famous Men

“And a human being whose life is nurtured in an advantage which has accrued from the disadvantage of other human beings, and who prefers that this should remain as it is, is a human being by definition only, having much more in common with the bedbug, the tapeworm, the cancer, and the scavengers of the deep sea.”
― James Agee, Cotton Tenants: Three Families

“For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.”
― James Agee, Let Us Now Praise Famous Men

“You never live an inch without involvement and hurting people and fucking yourself everlastingly.”
― James Agee, Let Us Now Praise Famous Men

“For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?”
― james agee, Let Us Now Praise Famous Men

“A house of simple people which stands empty and silent in the vast Southern country morning sunlight, and everything which on this morning in eternal space it by chance contains, all thus left open and defenseless to a reverent and cold-laboring spy, shines quietly forth such grandeur, such sorrowful holiness of its exactitudes in existence, as no human consciousness shall ever rightly perceive, far less impart to another: that there can be more beauty and more deep wonder in the standings and spacings of mute furnishings on a bare floor between the squaring bourns of walls than in any music ever made: that this square home, as it stands in unshadowed earth between the winding years of heaven, is, not to me but of itself, one among the serene and final, uncapturable beauties of existence; that this beauty is made between hurt but invincible nature and the plainest cruelties and needs of human existence in this uncured time, and is inextricable among these, and as impossible without them as a saint born in paradise.”
― James Agee, Let Us Now Praise Famous Men

“... understanding, and action proceeding from understanding and guided by it, is the one weapon against the world's bombardment, the one medicine, the one instrument by which liberty, health, and joy may be shaped or shaped towards, in the individual, and in the race.”
― James Agee, Let Us Now Praise Famous Men

“All that each person is, and experiences, and shall never experience, in body and mind, all these things are differing expressions of himself and of one root, and are identical: and not one of these things nor one of these persons is ever quite to be duplicated, nor replaced, nor has it ever quite had precedent: but each is a new and incommunicably tender life, wounded in every breath, and almost as hardly killed as easily wounded: sustaining, for a while, without defense, the enormous assaults of the universe:

So that how it can be that a stone, a plant, a star, can take on the burden of being; and how it is that a child can take on the burden of breathing; and how through so long a continuation of cumulation of the burden of each moment one on another, does any creature beat to exist, and not break utterly to fragments of nothing: these are matters too dreadful and fortitudes too gigantic to meditate long and not forever to worship:”
― James Agee, Let Us Now Praise Famous Men

“This is why the camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time; and is why in turn I feel such rage at its misuse: which has spread so nearly universal a corruption of sight that I know of less than a dozen alive whose eyes I can trust even so much as my own.’   ‘If”
― Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families

“Small wonder how pitiably we love our home, cling in her skirts at night, rejoice in her wide star-seducing smile, when every star strikes us sick with the fright: do we really exist at all?”
― James Agee, Let Us Now Praise Famous Men

“To come devotedly into the depths of a subject, your respect for it increasing in every step and your whole heart weakening apart with shame upon yourself in your dealing with it : To know at length better and better and at length into the bottom of your soul your unworthiness of it : Let me hope in any case that it is something to have begun to learn.”
― James Agee, Let Us Now Praise Famous Men

“In every child who is born, under no matter what cirucumstances, and of no matter what parents, the potentiallity of the human race is born again: and in him, too, once more, and of each of us, our terrific responsibility towards human life; towards the utmost idea of goodness . . .”
― James Agee, Let Us Now Praise Famous Men

“That impulse took hold of me so powerfully, from my whole body, not by thought, that I caught myself from doing it exactly and as scarcely as you snatch yourself from jumping from a sheer height: here, with the realization that it would have frightened them still worse (to say nothing of me) and would have been still less explicable; so that I stood and looked into their eyes and loved them, and wished to God I was dead.”
― Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families

“Wiser and more capable men than I shall ever be have put their findings before you, findings so rich and so full of anger, serenity, murder, healing, truth, and love that it seems incredible the world were not destroyed and fulfilled in the instant, but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all your poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration; Swift loved individuals but hated the human race; Kafka is a fad; Blake is in the Modern Library; Freud is a Modern Library Giant; Dovschenko’s Frontier is disliked by those who demand that it fit the Eisenstein esthetic; nobody reads Joyce any more; Céline is a madman who has incurred the hearty dislike of Alfred Kazin, reviewer for the New York Herald Tribune book section, and is, moreover, a fascist; I hope I need not mention Jesus Christ of whom you have managed to make a dirty gentile. However”
― Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families

“A strong back is a big help but not even the strongest back was built for that treatment, and there combine not just at the kidneys, ad rill down the thighs and up the spine and athwart the shoulders, the ticklish weakness of gruel or water, and an aching that increases in geometric progression, and at length, in the small of the spine, a literal sensation of yielding, buckling, splintering, and breakage: and all of this, even though the mercy of nature has strengthened and hardened your flesh and anesthetized your nerves and your powers of reflection and imagination, reaches in time the brain and the more mirrorlike nerves, and thereby makes itself much worse than before.”
― James Agee, Cotton Tenants: Three Families

“Twenty-six thousand feet up the cols of Everest, a long way beyond the staying power of plants, pale spiders have been found, who subsist on nothing more discernible than air. Apparently they also reproduce their kind. What else they do with their time and, for that matter, why, no one has yet made out.”
― James Agee, Cotton Tenants: Three Families

“Kate, the mother of thirteen, is forty-nine; delicately made; her skin creamlike where the weather has not got at it. She is smaller than several of her children. Her legs and feet, like those of most women in this country, are beautifully shaped by shoelessness on the earth. Her eyes, which are watchful not at all for herself but for her family, are those of a small animal which expects another kick as a matter of course and which is too numbed to dodge it or even much care. She calls her children "my babies." They call her mama, treat her protectively as they might a deformed child, and love her carelessly and gaily. An old photograph shows her fiber and bearing as a young woman, and perhaps it is the relinquishment of that unusual spirit, under the beating and breakage of the past two decades, that has made her now the most abandoned of these people: more than any of them, she is lost in some solitary region of her own. She is only half sane.”
― James Agee, Cotton Tenants: Three Families

“She is possibly the last child they will bring into living, and she is extremely delicate. She dislikes what little food they have but loves chicken and coffee. So, steadily, they have bumped off a long string of chickens to feed her, and she drinks two or three cups of black and parboiled coffee at every meal. Her eyes shine like burning oil and almost continuously she dances with drunkenness.”
― James Agee, Cotton Tenants: Three Families

“smiling as if casually;”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“The woman, in a voice that somehow, though contemptuous (it implied, You are more stupid than he is), yielded me for the first time her friendship and that of her husband, so that happiness burst open inside me like a flooding of sweet water, said, he wants to give it to you.”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“and he now reached his hand in to the middle of the forearm,”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“beautiful”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“the eyes of the women were quietly and openly hostile;”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“his own cotton,”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“ancestors of his had escaped an insurrection of negroes in Haiti.”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“When they saw the amount of equipment stowed in the back of our car, they showed that they felt they had been taken advantage of, but said nothing of it.”
― James Agee, Let Us Now Praise Famous Men: Three Tenant Families

“a new suit of overalls has among its beauties those of a blueprint: and they are a map of a working man.”
― Walker Evans, Let Us Now Praise Famous Men: Three Tenant Families