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Life: The Movie - How Entertainment Conquered Reality Life: The Movie - How Entertainment Conquered Reality by Neal Gabler
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“...because television had become the primary means through which people appropriated the world, it promulgated an epistemology in which all information, whatever the source, was forced to become entertainment.”
Neal Gabler, Life: The Movie - How Entertainment Conquered Reality
“Having invited these performances in the first place, the media justified covering them because they were receiving media attention... The result was to make of modern society one giant Heisenberg effect in which the media were not really reporting what people did; they were reporting what people did to get media attention.”
Neal Gabler, Life: The Movie - How Entertainment Conquered Reality
“...the deliberate application of the techniques of theater to politics, religion, education, literature, commerce, warfare, crime, everything, has converted them into branches of show business, where the overriding objective is getting and satisfying an audience.”
Neal Gabler, Life: The Movie - How Entertainment Conquered Reality
“Already at the turn of the twentieth century one analyst fretted in the Atlantic Monthly that images would eventually replace words and that visual symbols would become the primary form of discourse. Boorstin’s own concern was that the Graphic Revolution encouraged what he called image-thinking—thinking in terms of an “artificial imitation or representation of the external form of any object, especially of a person.” This came at the expense of what he called ideal-thinking—thinking in terms of some idea or value toward which one could strive.”
Neal Gabler, Life: The Movie: How Entertainment Conquered Reality