Selected Poems Quotes
Selected Poems
by
Anne Sexton2,786 ratings, 4.20 average rating, 239 reviews
Selected Poems Quotes
Showing 1-18 of 18
“Just once I knew what life was for.”
― Selected Poems
― Selected Poems
“It was as if a morning-glory had bloomed in her throat, and all that blue and small pollen ate into my heart, violent and religious”
― Selected Poems
― Selected Poems
“She is so naked and singular
She is the sum of yourself and your dream.
Climb her like a monument, step after step.
She is solid.
As for me, I am a watercolor.
I wash off.
(For My Lover, Returning To His Wife)”
― Selected Poems
She is the sum of yourself and your dream.
Climb her like a monument, step after step.
She is solid.
As for me, I am a watercolor.
I wash off.
(For My Lover, Returning To His Wife)”
― Selected Poems
“THE FORTRESS
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.”
― Selected Poems
Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.
We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.
And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.
Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.
Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.
I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.”
― Selected Poems
“Fee-fi-fo-fum, now I'm borrowed, now I'm numb.”
― Selected Poems
― Selected Poems
“We make a stage set out of my past
and stuff painted puppets into it.
We make a bridge toward my future
and I cry to you: I will be steel!
I will build a steel bridge over my need!
I will build a bomb shelter over my heart!
But my future is a secret.
It is as shy as a mole.”
― Selected Poems
and stuff painted puppets into it.
We make a bridge toward my future
and I cry to you: I will be steel!
I will build a steel bridge over my need!
I will build a bomb shelter over my heart!
But my future is a secret.
It is as shy as a mole.”
― Selected Poems
“Was it last month or last year
that the ambulance ran like a hearse
with its siren blowing on suicide—
Dinn, dinn, dinn!—
a noon whistle that kept insisting on life
all the way through the traffic lights?
I have come back
but disorder is not what it was.
I have lost the trick of it!
The innocence of it!
That fellow-patient in his stovepipe hat
with his fiery joke, his manic smile—
even he seems blurred, small and pale.
I have come back,
recommitted,
fastened to the wall like a bathroom plunger,
held like a prisoner
who was so poor
he fell in love with jail.”
― Selected Poems
that the ambulance ran like a hearse
with its siren blowing on suicide—
Dinn, dinn, dinn!—
a noon whistle that kept insisting on life
all the way through the traffic lights?
I have come back
but disorder is not what it was.
I have lost the trick of it!
The innocence of it!
That fellow-patient in his stovepipe hat
with his fiery joke, his manic smile—
even he seems blurred, small and pale.
I have come back,
recommitted,
fastened to the wall like a bathroom plunger,
held like a prisoner
who was so poor
he fell in love with jail.”
― Selected Poems
“I give you back your heart. I give you permission – for the fuse inside her, throbbing angrily in the dirt, for the bitch in her and the burying of her wound – for the burying of her small red wound alive – for the pale flickering flare under her ribs, for the drunken sailor who waits in her left pulse,”
― Mercies: Selected Poems
― Mercies: Selected Poems
“The Fury Of Guitars And Sopranos "
This singing
is a kind of dying,
a kind of birth,
a votive candle.
I have a dream-mother
who sings with her guitar,
nursing the bedroom
with a moonlight and beautiful olives.
A flute came too,
joining the five strings,
a God finger over the holes.
I knew a beautiful woman once
who sang with her fingertips
and her eyes were brown
like small birds.
At the cup of her breasts
I drew wine.
At the mound of her legs
I drew figs.
She sang for my thirst,
mysterious songs of God
that would have laid an army down.
It was as if a morning-glory
had bloomed in her throat
and all that blue
and small pollen
ate into my heart
violent and religious.”
― Selected Poems
This singing
is a kind of dying,
a kind of birth,
a votive candle.
I have a dream-mother
who sings with her guitar,
nursing the bedroom
with a moonlight and beautiful olives.
A flute came too,
joining the five strings,
a God finger over the holes.
I knew a beautiful woman once
who sang with her fingertips
and her eyes were brown
like small birds.
At the cup of her breasts
I drew wine.
At the mound of her legs
I drew figs.
She sang for my thirst,
mysterious songs of God
that would have laid an army down.
It was as if a morning-glory
had bloomed in her throat
and all that blue
and small pollen
ate into my heart
violent and religious.”
― Selected Poems
“She is so naked and singular. She is the sum of yourself and your dream. Climb her like a monument, step after step. She is solid. As for me, I am a watercolor. I wash off.”
― Mercies: Selected Poems
― Mercies: Selected Poems
“He matado nuestra vida juntos,
he cortado cada cabeza,
con sus tristes ojos azules atrapados en una pelota de playa,
rodando por separado afuera del garaje.
He matado todas las cosas buenas
pero son demasiado tercas.
Se cuelgan.
Las pequeñas palabras de tu compañía
se han arrastrado hasta su tumba,
el hilo de la compasión,
como una frambuesa querida,
los cuerpos entrelazados
cargando a nuestras dos hijas,
tu recuerdo vistiéndose
temprano,
toda la ropa limpia, separada y doblada,
tú sentándote en el borde de la cama
lustrando tus zapatos con un limpiabotas,
y yo te amaba entonces, eras tan sabio desde la ducha,
y te amé tantas otras veces
y he estado por meses,
tratando de ahogarlo,
presionando,
para mantener su gigantesca lengua roja
por debajo, como un pez.
Pero a donde quiera yo vaya están todos en llamas,
el róbalo, el pez dorado, sus ojos amurallados flotando
ardiendo entre plancton y algas marinas
como tantos otros soles azotando las olas,
y mi amor se queda amargamente brillando,
como un espasmo que se niega dormir,
y estoy indefensa y sedienta y necesito una sombra
pero no hay nadie para cubrirme –
ni siquiera Dios.”
― Selected Poems
he cortado cada cabeza,
con sus tristes ojos azules atrapados en una pelota de playa,
rodando por separado afuera del garaje.
He matado todas las cosas buenas
pero son demasiado tercas.
Se cuelgan.
Las pequeñas palabras de tu compañía
se han arrastrado hasta su tumba,
el hilo de la compasión,
como una frambuesa querida,
los cuerpos entrelazados
cargando a nuestras dos hijas,
tu recuerdo vistiéndose
temprano,
toda la ropa limpia, separada y doblada,
tú sentándote en el borde de la cama
lustrando tus zapatos con un limpiabotas,
y yo te amaba entonces, eras tan sabio desde la ducha,
y te amé tantas otras veces
y he estado por meses,
tratando de ahogarlo,
presionando,
para mantener su gigantesca lengua roja
por debajo, como un pez.
Pero a donde quiera yo vaya están todos en llamas,
el róbalo, el pez dorado, sus ojos amurallados flotando
ardiendo entre plancton y algas marinas
como tantos otros soles azotando las olas,
y mi amor se queda amargamente brillando,
como un espasmo que se niega dormir,
y estoy indefensa y sedienta y necesito una sombra
pero no hay nadie para cubrirme –
ni siquiera Dios.”
― Selected Poems
“But suicides have a special language.”
― Selected Poems
― Selected Poems
“I’m no more a woman than Christ was a man.”
― Selected Poems
― Selected Poems
“Death was simpler than I’d thought.”
― Selected Poems
― Selected Poems
“They thought I was strange, although I never spoke a word.”
― Selected Poems
― Selected Poems
“She sees to oars and oarlocks for the dinghy, has placed wild flowers at the window at breakfast, sat by the potter’s wheel at midday, set forth three children under the moon, three cherubs drawn by Michelangelo, done this with her legs spread out in the terrible months in the chapel.”
― Mercies: Selected Poems
― Mercies: Selected Poems
“She’s the one I carried my bones to and built a house that was just a cot and built a life that was over an hour and built a castle where no one lives and built, in the end, a song to go with the ceremony.”
― Mercies: Selected Poems
― Mercies: Selected Poems
