What We All Long For Quotes

“They were born in the city from people born elsewhere.”
― Dionne Brand, What We All Long For

“There were Italian neighbourhood and Vietnamese neighbourhoods in this city; there are Chinese ones and Ukrainian ones and Pakistani ones and Korean ones and African ones. Name a region on the planet and there's someone from there, here. All of them sit on Ojibway land, but hardly any of them know it or care because that genealogy is wilfully untraceable except in the name of the city itself. They'd only have to look, though, but it could be that what they know hurts them already, and what if they found out something even more damaging? These are people who are used to the earth beneath them shifting, and they all want it to stop-and if that means they must pretend to know nothing, well, that's the sacrifice they make.”
― Dionne Brand, What We All Long For

“And on the sidewalks, after they've emerged from the stations, after being sandpapered by the jostling and scraping that a city like this does, all the lives they've hoarded, all the ghosts they've carried, all the inversions they've made for protection, all the scars and marks and records for recognition - the whole heterogeneous baggage falls out with each step on the pavement. There's so much spillage.”
― Dionne Brand, What We All Long For

“It's like this with this city -- you can stand on a simple corner and get taken away in all directions. Depending on the weather, it can be easy or hard. If it's pleasant, and the pleasant is so relative, then the other languages making their way to your ears, plus the language of the air itself, which can be cold and humid or wet and hot, this all sums up into a kind of new vocabulary. No matter who you are, no matter how certain you are of it, you can't help but feel the thrill of being someone else.”
― Dionne Brand, What We All Long For

“Dali’s Reclining Woman Wearing a Chemise looks like a dead slaughtered doll, and I can see preying eagles, broken arrows, and jazz musicians in Jackson Pollock, and because I believe that Man Ray and Duchamp were lovers.”
― Dionne Brand, What We All Long For

“Angie was a border crosser, a wetback, a worker in the immigrant sweatshop they call this city. On days like this I understand her like a woman instead of a child. Everybody thought she was a whore. She wasn’t. She tried to step across the border of who she was and who she might be. They wouldn’t let her. She didn’t believe it herself so she stepped across into a whole other country.”
― Dionne Brand, What We All Long For

“She had overused these memories, wrung everything from them.”
― Dionne Brand, What We All Long For

“The poetry of holding the soul together.”
― Dionne Brand, What We All Long For

“For some of us, the world is never forgiving.”
― Dionne Brand, What We All Long For

“What she was sure about was that this love was steady and deep enough to create itself over and over again.”
― Dionne Brand, What We All Long For

“Heaven has eyes. Heaven punishes.”
― Dionne Brand, What We All Long For

“In my heart, sometimes, I feel a lightness, a nonexistence. . . I have these moments, very dangerous, I feel scattered. But I'm here, and I feel like telling you the rest. Not because you'll get it, but because I feel like telling it.”
― Dionne Brand, What We All Long For

“If there was history being made in the city, if history was the high-level war rich people waged for their own turf in the city—those wars about waterfront developments and opera houses and real-estate deals and privatization contracts—then the poor waged wars for control of their small alleyways and walkways, their streets and the trade in unofficial goods. Their currency was not stocks, wealth and influence peddling, but tough reputations and threats of physical damage; their gains weren’t stock options and expensive homes but momentary physical control and perennially contested fearsomeness. This war was a more volatile war, perhaps. There was no cushion of security to land on if you lost a skirmish.”
― Dionne Brand, What We All Long For: A Novel

“But what the fuck did she see in Reiner? That’s what he wanted to know. Well, given the things he’d been thinking about before Jackie came into the café, perhaps it was obvious what she saw in Reiner. Reiner was safe. Reiner was white. Musician, bullshitter, and Reiner did not, could not possibly see the city as a prison. More, Reiner must see it as his place—look at how he took possession of it, took possession of Jackie’s back, guiding her across the street with one hand, warding off traffic with the other, in which he balanced his coffee. Look at his face, it spoke of someone in control and certainly not threatened. Someone comfortable, easy.”
― Dionne Brand, What We All Long For: A Novel

“There are Italian neighbourhoods and Vietnamese neighbourhoods in this city; there are Chinese ones and Ukrainian ones and Pakistani ones and Korean ones and African ones. Name a region on the planet and there’s someone from there, here. All of them sit on Ojibway land, but hardly any of them know it or care because that genealogy is wilfully untraceable except in the name of the city itself. They’d only have to look, though, but it could be that what they know hurts them already, and what if they found out something even more damaging? These are people who are used to the earth beneath them shifting, and they all want it to stop—and if that means they must pretend to know nothing, well, that’s the sacrifice they make.”
― Dionne Brand, What We All Long For: A Novel

“About her family she had taken a superior view. She considered them somewhat childlike since her power over them in the form of language had given her the privilege of viewing them in this way. And her distance from them, as the distance of all translators from their subjects, allowed her to see that so much of the raison d'etre of their lives was taken up negotiating their way around the small objects of foreignness laced in their way. Either they could not see the larger space of commonality or it was denied them.”
― Dionne Brand, What We All Long For

“Carla might recognize herself in the lean girls against the bar, the girls in slender-cut suits with silver rings on each finger and thumb who looked so compact and secretive, so much as if all their essences were perfectly locked and kept, and only if you managed to please them could you unlock their fingers and pry them out. They smelled of a different perfume, they never quite met your eyes except in a swift and thorough appraisal whose conclusion you became aware of immediately when their eyes averted without the longed-for approving smile. You longed to go with them to secret apartments in the suburbs or condos on the lakeshore and there have their fingers brush down your back and have their maroon mouths kiss your thighs.”
― Dionne Brand, What We All Long For