Matthew McElroy ’s Reviews > The Book of Disquiet: The Complete Edition > Status Update
Matthew McElroy
is on page 286 of 432
P198 "What I confess is of no importance because nothing is of any importance. I make landscapes out of what I feel. I make a holiday of sensation."
Sorry man, it's the fact that you're not saying anything important. You have no commentary on the world. Nothing is happening. Nothing is being observed. That is why you feel nothing is important.
— Aug 27, 2024 02:41PM
Sorry man, it's the fact that you're not saying anything important. You have no commentary on the world. Nothing is happening. Nothing is being observed. That is why you feel nothing is important.
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Matthew McElroy
is on page 367 of 432
I'm hoping to finish this weekend. I doubt I'm smarter than all the people who have studied and translated Pessoa, but the single redeeming grace in this book is reading it aloud.
I really think it is supposed to be a book of poetry.
Because if it's not, this is a jumbled, egomaniacal, nihilistic mess.
— Oct 11, 2024 02:07PM
I really think it is supposed to be a book of poetry.
Because if it's not, this is a jumbled, egomaniacal, nihilistic mess.
Matthew McElroy
is on page 327 of 432
P194 But the minute I pick up a book from the table my interest in reading vanishes; the physical fact of having to read it negates the desire to read...
😒 I wonder what Pessoa is reading.
— Sep 08, 2024 06:50PM
😒 I wonder what Pessoa is reading.
Matthew McElroy
is on page 300 of 432
P272 "Just as some people work because they're bored, I sometimes write because I have nothing to say."
This is the single most accurate thing Pessoa has written, so far.
— Aug 30, 2024 11:41AM
This is the single most accurate thing Pessoa has written, so far.
Matthew McElroy
is on page 254 of 432
P191 "I hate reading. I feel a kind of anticipatory medium at the prospect of all those unread pages."
Ugh, right back at you, Fernando. All we have really learned is that the author dwells in a medium he loathes.
— Aug 24, 2024 05:50AM
Ugh, right back at you, Fernando. All we have really learned is that the author dwells in a medium he loathes.
Matthew McElroy
is on page 190 of 432
"If what I leave written in the visitors' book is one day read by others and entertains them on their journey, that's fine. If no one reads it or is entertained by it, that's fine too."
The narrator is clearly a stand-in for the author, though it is supposed to be someone different. But it's hard to believe an author would write a book that he didn't want to be read.
— Jul 19, 2024 09:02PM
The narrator is clearly a stand-in for the author, though it is supposed to be someone different. But it's hard to believe an author would write a book that he didn't want to be read.
Matthew McElroy
is on page 170 of 432
Chris Power said this is "a reading experience unlike any other". Thank goodness.
On p151, we are finally made aware that the narrator may not be the actual author. The first phase just starts. The second phase has the shortest of introductions: "From the Book of Disquiet" composed by Bernardo Soares.
Telling a story through a different narrator is not inventive. That narrator having nothing to say or do is new.
— Jun 20, 2024 02:30PM
On p151, we are finally made aware that the narrator may not be the actual author. The first phase just starts. The second phase has the shortest of introductions: "From the Book of Disquiet" composed by Bernardo Soares.
Telling a story through a different narrator is not inventive. That narrator having nothing to say or do is new.
Matthew McElroy
is on page 161 of 432
What am I reading?
P111 "Those of us who are not pederasts wish we had the courage to be so. A dictate for action inevitably has a femininity effect. We missed our true vocatio. As housewives and idle chatelaines because of a sexual mismatch in our present incarnation. While we do not totally believe this, to pretend we do savours the blood of irony."
— Jun 19, 2024 06:50PM
P111 "Those of us who are not pederasts wish we had the courage to be so. A dictate for action inevitably has a femininity effect. We missed our true vocatio. As housewives and idle chatelaines because of a sexual mismatch in our present incarnation. While we do not totally believe this, to pretend we do savours the blood of irony."
Matthew McElroy
is on page 140 of 432
P102 "Please don't think I write in order to publish, or simply for the sake of writing or making art. I write as an end in itself, the ultimate refinement, the temperamentally illogical refinement, of my cultivation of states-of-soul."
He's writing for himself, not for anyone else. And I'm not sure this is a character. I think this is autobiographical.
— Jun 16, 2024 03:48PM
He's writing for himself, not for anyone else. And I'm not sure this is a character. I think this is autobiographical.

