Chris Haddad’s Reviews > The Second City Almanac of Improvisation > Status Update

Chris Haddad
Chris Haddad is on page 9 of 200
"Questions are like asking permission for your idea" I like this quote a lot because it reminds me why I love comedy and Improv. In improv, you can't sit with something for a bit. You have to act fast and move with the flow of things. You can't ask a question. Asking a question is like a huge pause in the middle of an exchange while other actors try to figure out what you want.
Feb 07, 2016 07:01PM
The Second City Almanac of Improvisation

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Chris’s Previous Updates

Chris Haddad
Chris Haddad is on page 164 of 200
"I just got a directing job at The Second City" (In reply to the news), "I'm sorry."

Directing for the Second City has to be one of the more difficult directing jobs there is. I cant imagine how different it must be to try to direct and advise an improv group. You have to make brilliant creative choices while convincing the performers it was all their idea
Mar 03, 2016 03:34PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 154 of 200
"The author is not constrained by time. She can even stop time, take a break in the middle of a sentence, and resume the next day -- or even the next year. Improvisers are prisoners of time" I Love this quote because it defines the difference between writing comedy and performing improv. You can always go back and write a scene that was performed in improv. Yo can't improvise a scene that's already written.
Feb 29, 2016 08:53PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 138 of 200
I like the way a lot of the essays in this book retain the comedic tone when talking about comedy and what (not) to do. Especially when Tina Fay decides to say that repeating a scene the same way even just once makes you feel like a "dirty whore" Writer's Strategies
Feb 28, 2016 07:58PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 92 of 200
"It's important that [The Audience is] seeing it for the first and only time and you make it seem like it's the first and only time... So what if the prop isn't exactly in the same place? It makes it more interesting. It applies to almost everything" Favorites
Feb 28, 2016 07:45PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 79 of 200
I feel a lot of this book is about how to deepen comedy, rather than have a few funny scenes. "no one persons experience is blacker or more Hispanic than the next. You're not more Chinese than your neighbor. Life experiences are intrinsically filled filtered through how you appear, just as much as how you were raised and taught" this means to me that no one has an advantage over the other in terms of appearance.
Feb 23, 2016 07:26PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 54 of 200
Feb 23, 2016 03:34AM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 54 of 200
Studying martial arts, circus arts, comedy, sports, art, music, contact improvisation is all important for a person trying to become a great improvisational comedian. This boom emphasizes that it's not about what is said— Anyone can say a funny thing— rather it is how you say it and what is happening in the scene. Be informed on topics so scenes are diverse.
Feb 22, 2016 03:13PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 38 of 200
Feb 22, 2016 09:19AM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 23 of 200
(Talking about the guidelines of improv) "Some of these guidelines may appear to contradict themselves but then so do many things in life" Favorties
Feb 15, 2016 03:15PM
The Second City Almanac of Improvisation


Chris Haddad
Chris Haddad is on page 18 of 200
There are no accidents or mistakes in improvisation unless you decide you made an accident. If you trip and fall, claim the accidental focus and make use of it; add to the scene.
Feb 15, 2016 03:11PM
The Second City Almanac of Improvisation


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