Wastrel’s Reviews > The Secret Life of Aphra Behn > Status Update

Wastrel
Wastrel is on page 93 of 560
Finally we arrive at reality: Behn enters history as "160" or "Mrs Affora", a spy sent to the Low Countries.
Todd insists on undermining her at every turn, calling her "naive" and "inexperienced", assuming she is inept and unable to operate secretly, claiming she will be in awe of any member of the Royal Society she meets, etc...
Apr 14, 2021 04:00PM
The Secret Life of Aphra Behn

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Wastrel’s Previous Updates

Wastrel
Wastrel is on page 545 of 560
For my own future refence, I'll round off with a brief map of what's in which chapter:
Jul 12, 2022 10:05AM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 435 of 560
Let me with Sappho and Orinda be
Oh ever sacred Nymph, adorn'd by thee;
And give my Verses Immortality.


Well, that's that finished (from here on is just notes, bibliography and index). Though it'll take me some time to go back through and add some notes for the last 90 pages...
May 29, 2022 01:09PM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 346 of 560
Bulstrode Whitelocke succinctly sums up Aphra's (ex-)boyfriend: "an Atheist, a Sodomite professed, a corruptor of youth, & a Blasphemer of Christ".
[he was also probably a murderer, but that wasn't controversial enough in those days to be worth mentioning]
Feb 18, 2022 02:29PM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 229 of 560
"Custom is unkind to our Sex; not to allow us free choice, but we above all Creatures must be forced to endure the formal recommendations of a Parent; and the more insupportable Addresses of an Odious Foppe, whilst the Obedient Daughter stands - thus - with her Hands pinn'd before her, a set look, few words, and a mein that cries - 'come marry me - out upon't!'"

(from 'Sir Patient Fancy')
Nov 02, 2021 09:26AM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 210 of 560
A neat encapsulation of the changing times: in 1637, George Wilkins published a dour and moral Jacobean tragedy, The Miseries of Inforst Marriage; in the late 1670s, Aphra adapted the play, but this time as a farcical comedy, The Town-Fopp, complete with an accidential-lesbianism subplot...
Nov 02, 2021 09:17AM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 207 of 560
A constant problem with a biography of Aphra Behn is that we know very, very little about her. But it could be worse: now we're being introduced to her fellow female poet, Ephelia - about whom we know absolutely nothing. Todd guesses she was a lowborn actress; others have suggested she was instead a duchess and the sister of the PM.

Todd claims they were friends but I don't think there's any basis for that?
Oct 02, 2021 12:50PM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 167 of 560
Interesting the multiple instances of women openly bargaining for open relationships. Behn herself, in a poem to her married boyfriend cautions: "do not take / Freedoms you'll not to me allow". In Ravenscroft's 'Careless Lovers', the marriage negotiations include a demand for sexual liberty for both; Euphemia in Behn's 'The Dutch Lover' asks 'would you have conscience to tye me to harder conditions than I would you?'
Jul 01, 2021 04:42AM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 159 of 560
The epilogue to a Dryden play has an actress (Dryden's girlfriend) explain why playwrights were now obsessed with having women play male roles: so that they can be "To the men women, and to the women men... in dreams both sexes may their passions ease". Not just an example of the popularity of gender fluidity in this period, but also interesting in explicitly appealing to the sexual gaze of the female audience.
May 31, 2021 02:40PM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 158 of 560
"Masks have made more cuckolds than the best faces that ever were known"
- a character in Wycherley's "The Country Wife".
May 25, 2021 08:51AM
The Secret Life of Aphra Behn


Wastrel
Wastrel is on page 135 of 560
Strange that in talking about 'To Mrs Harsenet' - in which Behn admits that her boyfriend is right to want to cheat on her, because Harsenet is stupendously wonderful, but warns her that she should have higher standards, because Behn's boyfriend isn't worth it and she should have someone who understands how great she is - Todd doesn't consider that Behn's unnamed better suitor for Harsenet might be... herself.
Apr 22, 2021 11:46AM
The Secret Life of Aphra Behn


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message 1: by Wastrel (new) - added it

Wastrel Interestingly, though, this doesn't actually seem like a mission to send a novice on. True, all she has to do is talk to William Scott. But she's expected not only to persuade him to become a triple agent, but also to obtain from him extensive, detailed naval information and the Dutch invasion plans.

This seems both rather important stuff, and also rather detailed stuff to demand of a random woman. I have to think that either Behn was an experienced spy at this point, or else perhaps she was inexperienced, but particularly suited to this task.

What Todd points to in that direction (but oddly doesn't make more of) is that Scott had allegedly fallen in love in Surinam. The person who reported that had mockingly referred to him chasing after a "shepherdess", Astrea - which of course is the persona Behn herself later adopted. Perhaps it's believable, then, that the King, needing someone to talk to Scott, might have chosen to appeal to Scott's former girlfriend? She would have needed the money* and been eager of the connexions, and may perhaps have been connected to the royalist cause when younger (Todd's suggestion of a role as a courier seems plausible). This would support Todd's theory that she had been in Surinam, although perhaps undermine the idea that she was sent there as a spy.

However, Afara's reports don't seem to discuss the connexion between her and Scott (which they might have done if that was the whole reason she was sent). Todd says that Scott has to 'deny' to his suspicious roommate that an agent of her description has arrived - is he perhaps denying that the girl he'd talked about has arrived as a spy, or is he just denying knowing anything about any spy?

Frustratingly, Todd hates to cite where her claims come from, or quote her sources, so it's really hard for the reader to assess whether she's right or not!


*Todd claims she is 'impoverished', yet she apparently takes three servants with her on her mission. Even if the King is paying, that's quite an entourage for a penniless, jobless writer to have picked up...


message 2: by Wastrel (new) - added it

Wastrel Fun fact: during the plague, a rumour circulated that venereal diseases protected sufferers against the plague, so London pimps put out adverts specifically to recruit diseased and infected women as prostitutes.


message 3: by Wastrel (new) - added it

Wastrel Just read an article from 1913 that absolutely demolishes the fictional 'memoirs' of Behn, as well as her own autobiographical claims, mostly for good reason. Refreshing to see someone talk about Behn in a scientific manner, directly quoting and citing sources and providing context. Makes Todd's approach - sources are ultimately mostly cited overall, but individual claims are generally not cited, and there are few quotes (except to bully Aphara for her poor spelling) - instead, Todd combines quotes from different sources with her own imagination to describe what, in her imaginary story version, happened. In a way, I see why she does it - this is a long book and almost everything is hypothetical, so citing everything as though it were a journal article would be extremely laborious. It's legitimate that she says upfront that she's speculating, and gives us the sources she's basing it on so we can check ourselves, and then just goes ahead with her reconstruction. Legitimate... but very annoying, particularly once you realise how much she skews and distorts some of her sources.

In particular, while some details, particularly about the surounding world, are sourced in some detail, much of the narrative is taken either from pure imagination or from the fictional memoirs, and while that's OK (there's no non-fictional biography to tell of), it would really be great if she was more clear WHICH bits were fictional (or 'speculative'), and which were actually true.

Oh, and this paper also makes the argumant that Aphra's real name was Aphara. This is the name she uses in her letters to the government, and the name that was put on her gravestone. However, the paper claims that the name on the (assumed) baptismal record is 'Ayfara'. However, Todd believes she was originally 'Eaffrey'. However, the paper's Ayfara Johnson is evidently a different person from Todd's Eaffrey Johnson - Ayfara was the daughter of a Kentish barber named John Johnson, and was born in Wye in July 1640, whereas Eaffrey was the daughter of a Kentish barber named Bartholomew Johnson, and was born in Harbledown in December 1640. Ayfara fits with the description from Anne Finch, but Eaffrey with the description from Thomas Colepepper.

It's a good display of the frustrating precision and yet inaccuracy of historical work. We know the exact day on which these two women, Ayfara and Eaffrey, were born - six months and approximately 10 miles apart, both to local barbers named Mr Johnson. And yet we have no real way to know which of these women went on to be a playwright. In the same way, we don't know exactly when Aphara was in Antwerp, or exactly why - but we do know the name of the husband and wife who owned the inn where she stayed (Jacomyna and Joanna Huckx). We don't know whether Aphara's husband was fictional, or, if real, where he came from or what happened to him - but we know all sorts of details about the comings and going of several people of that name. We don't know if she spent time in Surinam, but we know which ship she must have travelled on if she did! This was a period in which record-keeping was simultaneously pedantically precise, when it existed, and yet utterly incomplete. It feels like a period in which a tiny part of a street is let up by bright, directed floodlights - anything that steps into the light can be seen in almost forensic detail, but the rest of the street is enveloped in pitch blackness...

[Todd seems right to pick Eaffrey: Colepepper would have to be lying if he was wrong, as he claims personal knowledge, whereas Finch could perhaps be mistaken. If she knew Aphara was originally the daughter of Johnson the barber in a small town near Canterbury, born in 1640, she might well have heard from her connexions in Kent about Ayfara and assumed that Ayfara was Aphara - indeed, if Ayfara left the area, the people living around Wye, hearing about Aphara, might legitimately have assumed that she was Ayfara, when in fact she was Eaffrey...]


message 4: by Wastrel (last edited Apr 15, 2021 01:54PM) (new) - added it

Wastrel Just read an article from 1913 that absolutely demolishes the fictional 'memoirs' of Behn, as well as her own autobiographical claims, mostly for good reason. Refreshing to see someone talk about Behn in a scientific manner, directly quoting and citing sources and providing context. Makes Todd's approach - sources are ultimately mostly cited overall, but individual claims are generally not cited, and there are few quotes (except to bully Aphara for her poor spelling) - instead, Todd combines quotes from different sources with her own imagination to describe what, in her imaginary story version, happened. In a way, I see why she does it - this is a long book and almost everything is hypothetical, so citing everything as though it were a journal article would be extremely laborious. It's legitimate that she says upfront that she's speculating, and gives us the sources she's basing it on so we can check ourselves, and then just goes ahead with her reconstruction. Legitimate... but very annoying, particularly once you realise how much she skews and distorts some of her sources.

In particular, while some details, particularly about the surounding world, are sourced in some detail, much of the narrative is taken either from pure imagination or from the fictional memoirs, and while that's OK (there's no non-fictional biography to tell of), it would really be great if she was more clear WHICH bits were fictional (or 'speculative'), and which were actually true.

Oh, and this paper also makes the argumant that Aphra's real name was Aphara. This is the name she uses in her letters to the government, and the name that was put on her gravestone. However, the paper claims that the name on the (assumed) baptismal record is 'Ayfara'. However, Todd believes she was originally 'Eaffrey'. However, the paper's Ayfara Johnson is evidently a different person from Todd's Eaffrey Johnson - Ayfara was the daughter of a Kentish barber named John Johnson, and was born in Wye in July 1640, whereas Eaffrey was the daughter of a Kentish barber named Bartholomew Johnson, and was born in Harbledown in December 1640. Ayfara fits with the description from Anne Finch, but Eaffrey with the description from Thomas Colepepper.

It's a good display of the frustrating precision and yet inaccuracy of historical work. We know the exact day on which these two women, Ayfara and Eaffrey, were born - six months and approximately 10 miles apart, both to local barbers named Mr Johnson. And yet we have no real way to know which of these women went on to be a playwright. In the same way, we don't know exactly when Aphara was in Antwerp, or exactly why - but we do know the name of the husband and wife who owned the inn where she stayed (Jacomyna and Joanna Huckx). We don't know whether Aphara's husband was fictional, or, if real, where he came from or what happened to him - but we know all sorts of details about the comings and going of several people of that name. We don't know if she spent time in Surinam, but we know which ship she must have travelled on if she did! This was a period in which record-keeping was simultaneously pedantically precise, when it existed, and yet utterly incomplete. It feels like a period in which a tiny part of a street is let up by bright, directed floodlights - anything that steps into the light can be seen in almost forensic detail, but the rest of the street is enveloped in pitch blackness...

[Todd seems right to pick Eaffrey: Colepepper would have to be lying if he was wrong, as he claims personal knowledge, whereas Finch could perhaps be mistaken. If she knew Aphara was originally the daughter of Johnson the barber in a small town near Canterbury, born in 1640, she might well have heard from her connexions in Kent about Ayfara and assumed that Ayfara was Aphara - indeed, if Ayfara left the area, the people living around Wye, hearing about Aphara, might legitimately have assumed that she was Ayfara, when in fact she was Eaffrey... it's frustrating, though, that Todd, though she mentions Finch's account, doesn't mention the existence of Ayfara at all...]


message 5: by Wastrel (new) - added it

Wastrel [Oh, I see, it gets more complicated! It turns out Ayfara was actually Ayfara Amis (father's occupation unknown). However, others claimed that Aphara was the adopted daughter of the designated lieutenant-governor of Surinam... whose name was Johnson. She could thus be born the daughter of a barber, but be adopted by the politician who then died. However, Todd can't find evidence of this Johnson existing, so no reason to think that Ayfara Amis was ever a Johnson (or a Behn).]


Meanwhile, Todd has Aphara, back in Antwerp, "ingenuous" and "gullible" in the extreme. This is because she claims that Scott, her target, is credible - Todd assumes she must have swooned with feminine susceptibility on meeting the man, and led astray into intimacy by her (Aphara's) personal inability to imagine a man and a woman relating without sexuality. Personally, I would have assumed it's because she needed to be paid, and the only way to get either money or reputation as a spy was to persuade her masters that the person she was being paid to handle was worth the money. What was she going to say - "this guy's worthless so there's no reason to employ me to talk to him!". Of course her reports become more sceptical of him (calling him a 'rogue') when he's not cooperating (when she thinks the mission might fail and she doesn't want to be blamed for misjudging him), but more positive again when he starts talking to her more (when she thinks the mission might work out and wants to be paid).

Todd always assumes she's naive and childish/feminine, but her actions also make sense if you assume she's actually intelligent and knows what she's doing.


message 6: by Wastrel (last edited Apr 16, 2021 01:19PM) (new) - added it

Wastrel Ugh. Todd repeats on every page how 'gullible' and 'naive' and 'desparate' Aphra is, how uncertain of what she's meant to be doing, how easily fooled, how dependent on others.

But when we see her actual words, Aphora seems calm and professional, sharp, and even a little sarcastic with her boss [at least until things in Antwerp have gone completely off a cliff and she's worried the King is abandoning her].

Oddly, she doesn't mention at all that Aphora's information, far from being utterly useless as Todd suggests, lead to the arrest of at least one active foreign agent in London. She also passes over rather vaguely the fact that a rival English agent in Flanders actively outed Aphora to the Dutch.


message 7: by Wastrel (new) - added it

Wastrel Fun fact: in the 1660s, sea travel was so dangerous that merchant ships had to join together in convoys just to cross the English Channel. I assumed this would be the case in the Atlantic, but it's a surprise to hear it about the Channel (which is 20 miles at its narrowest).

And we're not talking 'couple of ships' convoys, either. The ship Aphara used to cross to the Continent was in a convoy of over ninety merchant ships, with half a dozen frigates for protection!


message 8: by Alfred (new)

Alfred Haplo Glad to see you read this now and then, with amusing commentaries. Couldn't help noticing the start date... 2015!


message 9: by Wastrel (new) - added it

Wastrel Yeah, I tried reading it back then, got a fair way in and got distracted. Eventually gave up and started from the beginning again.


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