Moira’s Reviews > Emily Brontë: Heretic > Status Update
Moira
is on page 95 of 274
reading this book reminds me of why I dropped out of litcrit in grad school
— Jun 05, 2010 08:52PM
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Moira’s Previous Updates
Moira
is on page 186 of 274
White night (birds singing outside, damn them). Reading this book in the hopes it will put me to sleep. Absolutely no luck so far.
— Jun 07, 2010 03:23AM
Moira
is on page 150 of 274
lengthy detailed analysis of horrible old Joseph as 'a species of antinomian' //wilts
— Jun 06, 2010 09:33PM
Moira
is on page 149 of 274
Promised myself a Chrystery if I finished this book tonight. Then if I made it to page 200. Then page 150....
— Jun 06, 2010 09:20PM
Moira
is on page 133 of 274
//stares at online edition of Lady Into Fox instead http://www.gutenberg.org/files/10337/...
— Jun 06, 2010 02:09PM
Moira
is on page 133 of 274
//glares at book //glares at empty coffee cup //glares at cats wanting to be fed
— Jun 06, 2010 01:30PM
Moira
is on page 78 of 274
omg big hunks of Schlegel like bad plums in a fruitcake
— Jun 05, 2010 08:23PM
Moira
is on page 76 of 274
....there are 'masculine readers to whom Wuthering Heights is profoundly dear'? srsly?
— Jun 05, 2010 08:20PM
Moira
is on page 67 of 274
'Wuthering Heights is no Gothic castle with ramparts and crenellations but a working farm where folk are going about their business'
— Jun 05, 2010 07:30PM
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Captain Sir Roddy, R.N. (Ret.)
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Jun 05, 2010 09:09PM
Is that a good thing, or a bad thing, Moira?
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Yeah, curious as well. I actually quite liked Emily Davies' book, though it's certainly not flawless.
Christopher wrote: "Is that a good thing, or a bad thing, Moira?"I just don't do at all well with shit like 'the narrator displays Linton's and Heathcliff's natures as a dynamic antipathy incorporating the universal oppositions on which nature, human nature, and society are dialectically constructed' &c &c. I grew up reading mainly intelligible criticism (_not_ New Criticism, altho I did read some of that) - Randall Jarrell-type stuff - the prose is alternately leaden or quirky and I find it irritating, because it's not a pleasure to read _and_ it makes the ideas harder to get to. It's a style that seems really popular in academic prose written past the 1980s which is why I don't go for much of it.
Jamie wrote: "Yeah, curious as well. I actually quite liked Emily Davies' book, though it's certainly not flawless."I saw you did! (Stevie Davies actually - humorously enough one of the negative reviews here assumes it's a man.) I can see how it would be good if you were reading research material for a paper; there are some interesting ideas. But to me they're just very clumsily expressed, and that alternates with a kind of look-how-clever-clever-I-am wordplay that permeates late 20th century academic prose which makes me break out in hives. I understand she's trying to reclaim Emily from the typical 'virginal visionary who starved herself to death' Gaskell-Gerin viewpoint but like most people writing revisionist criticism she goes overboard. Lucasta Miller actually summarized Davies' main points a lot more fluently and skilfully.
Moira wrote: "Christopher wrote: "Is that a good thing, or a bad thing, Moira?"I just don't do at all well with shit like 'the narrator displays Linton's and Heathcliff's natures as a dynamic antipathy incorpo..."
and isn't this what drives Byatt 'freaking' crazy too?
Christopher wrote: "and isn't this what drives Byatt 'freaking' crazy too? "Yeah, I actually liked a lot of what Byatt had to say about litcrit in Possession. I read that right around when I was in the depths of grad school, so it meant a lot to me. - I just really don't like criticism that has to be deciphered and slogged through rather than read.
Oops, Stevie-yes. Hm, perhaps I should re-read this one; I recall really enjoying it, but maybe I'd be a horse of a different color upon another perusal. Lucasta Miller? May need to check that out, too, then--I know you're quite the expert on all things Bronte, so I tend to trust your judgment. :)

