Demi’s Reviews > The Visual Display of Quantitative Information > Status Update
Demi
is on page 51 of 197
"Graphical excellence consists of complex ideas communicated with clarity, precision, and efficiency... gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space."
— Jan 07, 2019 11:14AM
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Demi
is on page 191 of 197
very clean and pleasing epilogue page. "Design is choice. The theory of the visual display of quantitative information consists of principles that generate design options and that guide choices among options... What is to be sought... is the clear portrayal of complexity."
— Jan 10, 2019 11:19AM
Demi
is on page 171 of 197
very interesting concept of "sparklines", or "datawords: data-intense, design-simple, word-sized graphics"
— Jan 10, 2019 10:57AM
Demi
is on page 169 of 197
an obsession with "data density" - how many numbers can you show per square centimeter? getting into "small multiples" territory - "small multiples are an excellent architecture for showing large quantities of multivariate data." some excellent examples, i particularly like the use of small multiples like frames of a movie. also appreciate his encouragement to shrink graphics as much as possible
— Jan 10, 2019 10:54AM
Demi
is on page 155 of 197
"Graphics can be designed to have at least three viewing depths: (1) what is seen from a distance, an overall structure usually aggregated from an underlying microstructure; (2) what is seen up close and in detail, the fine structure of the data; and (3) what is seen implicitly, underlying the graphic - that which is behind the graphic." Exemplar: US Census where each dot represents 500 people
— Jan 10, 2019 10:39AM
Demi
is on page 154 of 197
"Color often generates graphical puzzles... the mind's eye does not readily give a visual ordering to colors... Because they do have a natural visual hierarchy, varying shades of gray show varying quantities better than color." shoutout to all my architecture profs who complained about my use of color
— Jan 10, 2019 10:35AM
Demi
is on page 153 of 197
"... automatic, and implicit - so that the visual image flows right *through* the verbal decoder initially necessary to understand the graphic. As Paul Valery wrote, 'Seeing is forgetting the name of the thing one sees.'"
— Jan 10, 2019 10:34AM
Demi
is on page 153 of 197
Skimming along but this page really gets me. "A sure sign of a puzzle is that the graphic must be interpreted through a verbal rather than a visual process... Over and over, the viewers must run little phrases through their minds, trying to maintain the right pattern of words to make sense out of the visual montage... by contrast, in a non-puzzle graphic, the translation of visual to verbal is quickly learned...
— Jan 10, 2019 10:33AM
Demi
is on page 137 of 197
completed "data-maximization" chapter - nice to read through some recommended changes to conventional charts. get a sense of his design thinking and the way to strive for clarity & concision
— Jan 07, 2019 12:05PM
Demi
is on page 107 of 197
just got to a chapter called "Chartjunk." ha! skimming/skipping because i can get the gist of it just from flipping through the pages. probably the most interesting intersection with architectural drawings (line weights!!! gray grids! the cover graphic of the train timetable looks AMAZING graygridded) - there's even a quote from robert venturi/denise scott brown about the decorated duck.
— Jan 07, 2019 11:53AM

