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The Routledge Companion to Philosophy and Film (Routledge Philosophy Companions) by
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Simon
is on page 60 of 692
Next up: Chapter 29 Bordwell and Chapter 35 Eisenstein
— Apr 02, 2021 02:58PM
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Simon
is on page 45 of 692
Metz - "the time has come for a semiotics of the cinema"
Do films need a language system of signs used for inter-communication?
Despite Metz's initial protestations, ultimately, yes.
Semiotics increasingly became a 'political science' in Film Studies - signs initiated with ideological motivations - structuralist framework.
Text --> message --> code = singular system
Codes as film grammar.
— Apr 02, 2021 02:50PM
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Do films need a language system of signs used for inter-communication?
Despite Metz's initial protestations, ultimately, yes.
Semiotics increasingly became a 'political science' in Film Studies - signs initiated with ideological motivations - structuralist framework.
Text --> message --> code = singular system
Codes as film grammar.
Simon
is on page 30 of 692
Deleuze - "taxonomy, an attempt at the classification of images and signs"
Movement-image - to see time-space as modifications of a vibrational open Whole - each shot is a kind of unfolding.
Perception-image, affection-image, impulse-image, action-image, reflexion-image, relation-image [&18 signs]
Two cinemas: classic (movement-image) and modern (time-image)- 1st breach: Italian neorealism (opsigns&sonsigns)
— Apr 02, 2021 01:06PM
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Movement-image - to see time-space as modifications of a vibrational open Whole - each shot is a kind of unfolding.
Perception-image, affection-image, impulse-image, action-image, reflexion-image, relation-image [&18 signs]
Two cinemas: classic (movement-image) and modern (time-image)- 1st breach: Italian neorealism (opsigns&sonsigns)
Simon
is on page 30 of 692
Deleuze - "taxonomy, an attempt at the classification of images and signs"
Movement-image - to see time-space as modifications of a vibrational open Whole - each shot is a kind of unfolding.
Perception-image, affection-image, impulse-image, action-image, reflexion-image, relation-image [&18 signs]
History of cinema division - classic and modern - first breach: Italian neorealism (opsigns and sonsigns)
— Apr 02, 2021 01:03PM
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Movement-image - to see time-space as modifications of a vibrational open Whole - each shot is a kind of unfolding.
Perception-image, affection-image, impulse-image, action-image, reflexion-image, relation-image [&18 signs]
History of cinema division - classic and modern - first breach: Italian neorealism (opsigns and sonsigns)
Simon
is on page 15 of 692
Chapter 43 on Wittgenstein complete.
Next: 34 on Deleuze and 36 on Metz.
— Apr 02, 2021 03:39AM
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Next: 34 on Deleuze and 36 on Metz.
