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The Dunwich Horror And Other Stories by
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Joe Glynn
is on page 210 of 237
The Shadow Out of Time 7.5/10
Easily my favorite of the three signifcant tales. It plays with a very interesting element of time, curiosity of the past, and the unknown. Lovecraft follows his usual traditions, but it is still a really fun read for me.
— Feb 19, 2026 01:19AM
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Easily my favorite of the three signifcant tales. It plays with a very interesting element of time, curiosity of the past, and the unknown. Lovecraft follows his usual traditions, but it is still a really fun read for me.
Joe Glynn
is on page 138 of 237
The Whisper In Darkness 6/10
Weak start, but gained momentum in the middle. Lovecraft is highly skilled in drawing you in with mysterious happenings. All is going to his usual rhythm, then suddenly our protagonist experiences an outrageous lapse in judgment and is ensnared by a poorly concocted trap. This leads to a break in the usual Lovecraft formula, which was nice (even though its execution was a little absurd).
— Feb 13, 2026 03:34PM
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Weak start, but gained momentum in the middle. Lovecraft is highly skilled in drawing you in with mysterious happenings. All is going to his usual rhythm, then suddenly our protagonist experiences an outrageous lapse in judgment and is ensnared by a poorly concocted trap. This leads to a break in the usual Lovecraft formula, which was nice (even though its execution was a little absurd).
Joe Glynn
is on page 59 of 237
The Dunwich Horror - 6.5/10
Fun read, full of the classic Lovecraftisms; long winding imagery of cosmic terror, sets of babbling dialogue between characters, xenophobic and racist undertones (and some loud overtones), an antiquated and distinct use of the english language, and a punchy finish with a neat twist. I can understand why this came to be one of the works that defines his writing style.
— Jan 10, 2026 10:55AM
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Fun read, full of the classic Lovecraftisms; long winding imagery of cosmic terror, sets of babbling dialogue between characters, xenophobic and racist undertones (and some loud overtones), an antiquated and distinct use of the english language, and a punchy finish with a neat twist. I can understand why this came to be one of the works that defines his writing style.
