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Life: A User's Manual by
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Aaron Schmid
is on page 101 of 608
Some great segments here. Part 2 started off with what felt like a Sherlock Holmes plot focused on unica-lovers, and then moved into a moody retrospective of wealth, success, and spectacle. It made me thankful for the life I have. Perec seems to hold the reader responsible for their own choices, even (or especially) if the choice is to let another decide for you... even if you're satisfied with said absconsion.
— Feb 08, 2025 02:13AM
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Aaron Schmid
is on page 81 of 608
This is a very odd book. It's like a collection of short stories, but you get to see how they all sort of weave together... Or at least how they all come to share a stairwell. It fluctuates so rapidly though. I have my favorite characters, but I feel like it takes a long time for the story to circle back around to what I feel is the main plot. Maybe part two will evolve a bit.
— Feb 07, 2025 01:56AM
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Aaron Schmid
is on page 66 of 608
And just like that, Agatha Christie emerges, haha - U. N. Owen (a reference I'm happy to pick up on). It's funny how quickly it's shifting, in just a few pages, into what seems like it might become quite a nice mystery novel. The devices are assembling, and I appreciate the time jumps, and the bits in the stairwell. It's definitely growing on me. The short chapters are also convenient. Good to pick up and put down.
— Feb 06, 2025 03:44AM
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Aaron Schmid
is on page 51 of 608
I'd bet Wes Anderson is familiar with this book, haha. It's deeply French, playfully formal, and highly structured (morphologically). I imagine Anderson doing a cross-section of the 10x10 matrix of this building and using a chess knight to move from vignette to vignette. It's wonderful in that way, listening to Midnight in Paris soundtrack while reading... but I do hope a broader narrative is advanced further soon.
— Feb 03, 2025 02:30AM
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