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Vincenzo Fiorentino
is on page 216 of 345
The Moat: 3/5
Starts well but abruptly ends in a way I didn't like.
— Jul 31, 2018 04:29AM
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Starts well but abruptly ends in a way I didn't like.
Vincenzo Fiorentino
is on page 202 of 345
Learning to Be Me: 5/5
So good.
— Jul 31, 2018 02:55AM
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So good.
Vincenzo Fiorentino
is on page 184 of 345
A Kidnapping: 4/5
All we are is our projections in other people's minds. Clever story.
— Jul 30, 2018 10:13AM
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All we are is our projections in other people's minds. Clever story.
Vincenzo Fiorentino
is on page 165 of 345
Seeing: 4/5
Very nice idea.
— Jul 30, 2018 09:19AM
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Very nice idea.
Vincenzo Fiorentino
is on page 146 of 345
The Safe-Deposit Box: 5/5
Egan is so good at describing internal monologues and this story is probably the best in the collection (so far).
— Jul 30, 2018 06:06AM
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Egan is so good at describing internal monologues and this story is probably the best in the collection (so far).
Vincenzo Fiorentino
is on page 124 of 345
Axiomatic: 5/5
Fantastic.
— Jul 30, 2018 05:07AM
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Fantastic.
Vincenzo Fiorentino
is on page 109 of 345
Blood Sisters: 4.5/5
Amazing portait of the unique psychological struggles of a dying woman.
— Jul 30, 2018 03:25AM
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Amazing portait of the unique psychological struggles of a dying woman.
Vincenzo Fiorentino
is on page 86 of 345
The Caress: 4.5/5
Just fantastic. Creepy too.
— Jul 26, 2018 02:29PM
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Just fantastic. Creepy too.
Vincenzo Fiorentino
is on page 55 of 345
Eugene: 2.5/5
Starts well but doesn't quite get anywhere.
— Jul 26, 2018 01:34PM
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Starts well but doesn't quite get anywhere.
Vincenzo Fiorentino
is on page 37 of 345
The Hundred Light-Year Diary: 3.5/5
Nice concept, well written story.
— Jul 26, 2018 01:05PM
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Nice concept, well written story.
Vincenzo Fiorentino
is on page 19 of 345
The Infinite Assassin: 2/5
The main idea here is used by the aiuthor to cerate a messy, post-punk environment where the style of the prose overshadows what actually happens, a bit too much for me.
— Jul 26, 2018 11:14AM
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The main idea here is used by the aiuthor to cerate a messy, post-punk environment where the style of the prose overshadows what actually happens, a bit too much for me.
