Annabel

“For Seabrook this 'nobrow' state - where the old brow distinctions no longer seem to apply - is not only a dumbing down of intellectual culture; it is also a wising up to commercial culture, which is no longer seen as an object of disdain but as 'a source of status.' At the same time this child of the elite is ambivalent about the collapse of brow distinctions, caught as he is between the old world of middlebrow taste, as vetted by The New Yorker of yore, and the new world of nobrow taste, where culture and marketing are one. ”
― Hal Foster

“Ce n'est pas pour devenir écrivain qu'on écrit. C'est pour rejoindre en silence cet amour qui manque à tout amour. C'est pour rejoindre le sauvage, l'écorché, le limpide. On écrit une langue simple. On ne fait aucune différence entre l'amour, la langue et le chant. Le chant c'est l'amour. L'amour c'est un fleuve. Il disparaît parfois. Il s'enfonce dans la terre. Il poursuit son cours dans l'épaisseur d'une langue. Il réapparaît ici ou là, invincible, inaltérable. ”
― Christian Bobin, La part manquante

“Aïe, aïe, aïe, je me suis dit, est-ce que ça veut dire que c'est comme ça qu'il faut mener sa vie ? Toujours en équilibre entre la beauté et la mort, le mouvement et sa disparition ?
C'est peut-être ça, être vivant : traquer des instants qui meurent.”
― Muriel Barbery

“The whole gestural system of work was also obscene, in sharp contrast to the miniaturized and abstract gestural system of control to which it has now been reduced. The world of the objects of old seems like a theatre of cruelty and instinctual drives in comparison with the formal neutrality and prophylactic 'whiteness' of our perfect functional objects. Thus the handle of the flatiron gradually diminishes as it undergoes 'contouring' - the term is typical in its superficiality and abstractness; increasingly it suggests the very absence of gesture, and carried to its logical extreme this handle will no longer be manual - merely manipulable. At that point, the perfecting of the form will have relegated man to a pure contemplation of his power. ”
― Jean Baudrillard, The System of Objects