Jessica

“These were emotions she didn't know how to carry. There was the insult of having her death celebrated when she wasn't even dead. When she was, in fact, amidst them all right now, and only out here because they'd sent killers to fail in her home.

But this? To be dying from the poison of those assassins, and while looking for emergency food to survive the injury, to be told by a drunk rich boy with inconvenient hair that she had never really existed? Now their songs made unkind sense to her. This revelry was a kind of fear, for hatred was the fear people let themselves enjoy.

Never had she imagined such a thing. Humans were so creative in their disappointments.”
― John Wiswell, Someone You Can Build a Nest In

“The slasher cycle is a dance, see? Imagine a dance floor in a high school gym, the lights are down, crinkled paper everywhere, spiked punch, fancy handed down jackets and dresses, shoes it's impossible to even walk in, I know you've chaperoned some. Now who the slasher WANTS to dance with is this one quiet girl way on the other side of the gym floor, but he can't cross to her yet, instead he has to work his way across TO her, dancing with this person and then that person, the back of his hand sometimes touching the final girl's sleeve during a slow song, their eyes locking like fate, but he's waiting for the last dance, sir. The slow (MOTION) one. That's the one that matters. You don't go home with who you dance your 3rd dance with. You go home with who you're holding hands with when the music's over.”
― Stephen Graham Jones, My Heart Is a Chainsaw

“All Shesheshen could do for Homily was be patient with her, and make space for her, and eventually, one day behind her back, eat her mother.”
― John Wiswell, Someone You Can Build a Nest In

“The truth is, I am a person who is meant to stay home and read books, maybe have a nice dinner, and then put myself to bed. That is the life I’m built for. It’s all about the setting. When I’m out in public, it’s as if my system gets overwhelmed and instantaneously short-circuits. I turned the phoenix into ashes, by accident, in small ways, all the time.”
― Selma Blair, Mean Baby: A Memoir of Growing Up