Stephanie  Carroll

Stephanie Carroll’s Followers (30)

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Stephanie Carroll

Goodreads Author


Born
in Dallas, The United States
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Genre

Influences
Charlotte Perkins Gilman (The Yellow Wallpaper), Frances Hodgson Burne ...more

Member Since
February 2012

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As a reporter and community editor, Stephanie Carroll earned first place awards from the National Newspaper Association and from the Nevada Press Association. Stephanie holds degrees in history and social science. She graduated summa cum laude from California State University, Fresno.

Stephanie blogs and writes fiction in California where her husband is stationed with the U.S. Navy. Her website is www.stephaniecarroll.net.
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Average rating: 3.81 · 241 ratings · 85 reviews · 3 distinct worksSimilar authors
A White Room

3.79 avg rating — 213 ratings — published 2013 — 5 editions
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Legacy: An Anthology

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4.14 avg rating — 36 ratings — published 2015 — 4 editions
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[A White Room] [Author: Car...

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* Note: these are all the books on Goodreads for this author. To add more, click here.

Interview & Giveaway with Kate Forsyth for Beauty in Thorns!

I am so incredibly excited to welcome Kate Forsyth, award winning author and incredible speaker. I had the lovely opportunity to meet and speak with Kate on a panel at the Historical Novel Society Conference in 2017 and I was so excited to learn she was publishing another Victorian novel and I just had to have her on the blog. 
Kate lives and writes in Australia. While the majority of Kate's work i Read more of this blog post »
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Published on March 11, 2018 15:56
Pretty Monsters: ...
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Aspects of the Novel
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Quotes by Stephanie Carroll  (?)
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“Sometimes while sitting there staring out the window, I imagined a place in my mind, a white room. A simple space coated in white paint. The white represented responsibility, obligation. It didn’t require what responsibility and obligation required, but it had the same effect. It maintained the person in the room; it kept the person alive and well, along with everything and everyone that person cared for, but nothing the person held dear existed in the room. The person was alone. The person experienced no joy from bearing the weight of responsibility, earned no prize.

I imagined a particular person in the room—a woman, also clothed in white. This woman constantly faced a dilemma. She longed for freedom. She longed to be the bird.

Her open palms grazed the rutted expanse of the wall. She knew that something lay beyond—beyond the white. She could burst out into the world of grass, sky, and lavender, but she knew that if she broke through the barricade, everything she protected would crumble, suffocate, and wither behind her. Her own freedom would last only moments because she, too, couldn’t survive without the white. Earth and water would smother her, and radiant light would slice through her like a blade.

I imagined her pressing with both hands, weighing freedom against existence and all that depended on her, but in the end she lightened her stance and stepped away. She always chose to stay, to fulfill her obligation.

I thought of the woman in the white room—she chose to sacrifice her freedom for the people who relied on her to survive, but how long could she possibly survive without freedom? How long could she last before choosing the alternative?”
Stephanie Carroll, A White Room

“When I’m really entrenched in my writing, I seem to go through mini-writer’s block cycles that usually last a week or so. They make me moody. My husband has a routine to help me get through the blocks. He forces me to take a day off, and he insists on my relaxing and taking in other forms of art to recharge my creativity. It actually works really well, but whenever I’m that into my work, I won’t take a day off willingly.

I do have a system for when I have a novel idea. I like to research a whole lot first and take notes by hand, and then I outline and figure out the plot based on the history and research. Next, I write everything I can as quickly as I can without worrying about grammar or even writing well. Then, I go back and read through and start fixing things. It’s kind of like a process to create the framework then I can go back in and make other layers shine.

Making the rest of the layers, really known as the editing process, is where things get crazy. I don’t have a system for it because it’s kind of a journey of discovery. I’ll know things are wrong, but I won’t always know how to fix them. When I discover the solution, it might take the story to a place I never would have guessed.

That happened a lot for A White Room. In the beginning I only had the idea for the first half of the story and just the story of Emeline – none of the subplots or stories of the other characters were there yet. Not even John’s story. It was just Emeline up until the point of her escape. I didn’t even know the second half. That all developed over several years through research, feedback, and discovery.”
Stephanie Carroll

Topics Mentioning This Author

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Sisterhood of the...: Stephanie Carroll 34 16 Oct 24, 2013 12:27PM  
Sisterhood of the...: Margot by Jillian Cantor 77 35 Oct 06, 2014 12:17PM  
Around the World ...: Missouri 6 199 Feb 25, 2015 11:30AM  
“Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use; and keep thy friend
Under thy own life's key: be check'd for silence,
But never tax'd for speech.”
William Shakespeare, All's Well That Ends Well

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message 2: by Sara

Sara Gagnon Hi Stephanie I loved your book a white room and I can't wait for your next book to come out :)


Sandra Hi Stephanie, Thanks for the friendship - looking forward to comparing reads!


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