Abbey

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Everyday Utopia: ...
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Reinventing Pedag...
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“The sea smells like old wood and wet leaves. Like cold mud and warm stone. Like every creature who has ever lived in it, a churning graveyard and nursery. Like winds from the inland carrying the hot circulation of life and winds from the ocean carrying the distant froth of waves against ships and islands. Like gray, only more so. Like blue, only less so.”
Joseph Fink and Jeffrey Cranor

“Private, visual reading and private composition thus encouraged individual critical thinking and contributed ultimately to the development of skepticism and intellectual heresy.”
Paul Saenger, Space Between Words: The Origins of Silent Reading

“Utopia confronts reality not with a measured assessment of the possibilities of change but with the demand for change. 'This is the way the world should be.' It refuses to accept current definitions of the possible because it knows these to be part of the reality that it seeks to change... Wilde was right: 'A map of the world that does not include Utopia is not worth even glancing at.”
Krishan Kumar, Utopianism

“Utopia retains throughout its long history the basic form of the narrative of a journey. The traveler in space or time is an explorer who happens upon utopia. He (or, more recently, she) meets its people, usually at first its ordinary people, observes them at work and play, sees their dwellings and their cities... The traveler is, as are we, the more prepared to accept the validity and desirability of the general principles for having seen with his own eyes its effects in the daily life of its inhabitants.”
Krishan Kumar, Utopianism

Ezra Pound
“There is something so degrading - at least, one would think that there were something so degrading in the practice of writing as a trade - that anyone who has once earned a livelihood, or part of it, obviously and openly, by popular writing, can never be seriously regarded by any great number of people. And then, of course, "he does too much.”
Ezra Pound, Selected Prose 1909–1965

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