Alex

“Which reminded her to wonder where Alan was nowadays; there had been several weeks, one spring, when she had thought quite seriously of accepting Alan, in spite of his Adam's apple. It would be nice, she had thought, to be cherished for a change. What had stopped her was the realisation that the cherishing would have to be mutual. That she would inevitably have to mend socks, for instance. She didn't like feet. Even Alan's.”
― Josephine Tey, Miss Pym Disposes

“She was about to write a polite refusal, when she remembered the day on which the fourth form had discovered her christened name to be Laetitia; a shame that Lucy had spent her life concealing, the fourth form had excelled themselves, and Lucy had been wondering whether her mother would mind very much about her suicide, and deciding that anyhow she had brought it on herself by giving her daughter such a high-falutin name. And then Henrietta had waded into the humourists, literally and metaphorically. Her blistering comment had withered humour at the root, so that the word Laetitia had never been heard again, and Lucy had gone home and enjoyed jam roly-poly instead of throwing herself in the river.”
― Josephine Tey, Miss Pym Disposes

“Poetry is the synthesis of hyacinths and biscuits.”
― Carl Sandburg

“Well, basically there are two sorts of opera," said Nanny, who also had the true witch's ability to be confidently expert on the basis of no experience whatsoever. "There's your heavy opera, where basically people sing foreign and it goes like "Oh oh oh, I am dyin', oh I am dyin', oh oh oh, that's what I'm doin'", and there's your light opera, where they sing in foreign and it basically goes "Beer! Beer! Beer! Beer! I like to drink lots of beer!", although sometimes they drink champagne instead. That's basically all of opera, reely.”
― Terry Pratchett, Maskerade