Howard
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“There has always been a temptation to classify economic goods in clearly defined groups, about which a number of short and sharp propositions could be made, to gratify at once the student’s desire for logical precision, and the popular liking for dogmas that have the air of being profound and are yet easily handled. But great mischief seems to have been done by yielding to this temptation, and drawing broad artificial lines of division where Nature has made none. The more simple and absolute an economic doctrine is, the greater will be the confusion which it brings into attempts to apply economic doctrines to practice, if the dividing lines to which it refers cannot be found in real life. There is not in real life a clear line of division between things that are and are not Capital, or that are and are not Necessaries, or again between labour that is and is not Productive.”
― Principles of Economics
― Principles of Economics
“HENRY:
Leave me out of it. They don’t count. Maybe Brodie got a raw deal, maybe he didn’t. I don’t know. It doesn’t count. He’s a lout with language. I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech…Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.
Act II, Scene 5, HENRY and ANNIE”
― The Real Thing
Leave me out of it. They don’t count. Maybe Brodie got a raw deal, maybe he didn’t. I don’t know. It doesn’t count. He’s a lout with language. I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech…Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.
Act II, Scene 5, HENRY and ANNIE”
― The Real Thing
“I give you this charge, that you shall be of my Privy Council and content yourself to take pains for me and my realm. This judgement I have of you, that you will not be corrupted with any manner of gift and that you will be faithful to the State, and that without respect of my private will, you will give me that counsel that you think best: and, if you shall know anything necessary to be declared to me of secrecy, you shall show it to myself only and assure yourself I will not fail to keep taciturnity therein. And therefore herewith I charge you.
Administering the oath of office to William Cecil as Secretary of State, November 20, 1558, as quoted in Elizabeth I: The Word of a Prince, A Life from Contemporary Documents, by Maria Perry, Chapter V, Section: To make a good account to Almighty God”
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Administering the oath of office to William Cecil as Secretary of State, November 20, 1558, as quoted in Elizabeth I: The Word of a Prince, A Life from Contemporary Documents, by Maria Perry, Chapter V, Section: To make a good account to Almighty God”
―
“ [Mr. Bates comments on the description of Robespierre in History of the French Revolution by M. J. L. Adolphe Thiers]
He was a living proof that[,] in civil troubles, obstinate mediocrity is more powerful than the irregularity of genius. It is not only in civil troubles but in all the affairs of life, that obstinate mediocrity triumphs over irregular genius, and enjoys the fruits of victory.
The Diary of Edward Bates, Entry for March 7, 1865, Edited by Howard K. Beale
”
―
He was a living proof that[,] in civil troubles, obstinate mediocrity is more powerful than the irregularity of genius. It is not only in civil troubles but in all the affairs of life, that obstinate mediocrity triumphs over irregular genius, and enjoys the fruits of victory.
The Diary of Edward Bates, Entry for March 7, 1865, Edited by Howard K. Beale
”
―
“one who, though he never digress to read a Lecture, Moral or Political, upon his own Text, nor enter into men’s hearts, further than the Actions themselves evidently guide him…filleth his Narrations with that choice of matter, and ordereth them with that Judgement, and with such perspicuity and efficacy expresseth himself that (as Plutarch saith) he maketh his Auditor a Spectator. For he setteth his Reader in the Assemblies of the People, and in their Senates, at their debating; in the Streets, at their Seditions; and in the Field, at their Battels.
Quoted by Shelby Foote in his The Civil War: A Narrative – Volume 2: Fredericksburg to Meridian, Bibliographical Note, from Thomas Hobbes’ Forward to Hobbes’ translation of The Peloponnesian War by Thucydides”
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Quoted by Shelby Foote in his The Civil War: A Narrative – Volume 2: Fredericksburg to Meridian, Bibliographical Note, from Thomas Hobbes’ Forward to Hobbes’ translation of The Peloponnesian War by Thucydides”
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