Bernard

“إننا نرفض المستبد العادل، لأن أي مستبد في الدنيا لا يمكن أن يكون عادلاً، فالإستبداد هو أحد معاني الظلم والطغيان الجبروت”
― مصطفى أمين, أفكار ممنوعة

“An empty throne is a dangerous one but a throne in the wrong persons hands is a destructive one so I prefer and empty one rather than having a tyrant”
― Raneem yacoub throne of deception

“The Tyrants who, at the end of the seventh century, had everywhere gained control, first in the leading Ionian states and then on the mainland, signify a decisive victory for individualism over the ideology of kinship. In this respect, as in others, they form the bridge to democracy, many of whose conquests they anticipate, for all their own undemocratic character.”
― Arnold Hauser, The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages

“Like the usurpers in the Italian Renaissance, they seek to gloss over the illegitimacy of their rô1e by offering tangible advantages and making a fine show; that explains their economic liberalism and their patronage of the arts. They employ art not merely as a means to fame and a propaganda instrument but also as an opiate to soothe the opposition. The fact that their art policy is often accompanied by a true love and understanding of art does not affect its social basis. The courts of the Tyrants are the most important cultural centres of the age and its greatest repositories of artistic production [...] Yet in spite of this activity at the courts, the art of the age of the Tyrants is not entirely a product of the court; the rationalistic and individualistic spirit of the age hindered the development of that solemn pageantry and those conventional forms which are characteristic of a court style. The only features in this art that we can ascribe to the court are its joy in the senses, its refined intellectuality, and its somewhat artificial elegance of expression—all features to be found in the older Ionian tradition but developed to a still higher degree at the courts of the Tyrants.”
― Arnold Hauser, The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages