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The Chemistry Bet...
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From The Dead
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  (page 54 of 470)
Feb 20, 2013 06:44AM

 
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Jo Nesbø
“But perhaps that's why we take snaps...to provide false evidence to underpin the false claim that we were happy. Because the thought that we weren't happy at least for some time during our lives is unbearable. Adults order children to smile in the photos, involve them in the lie, so we smile, we feign happiness.”
Jo Nesbø, Phantom

Håkan Nesser
“Words and form! We have a totally clear view of the world when we're fourteen years old, maybe sooner. But then we need another fifty years in order to create a language that can express those impressions. And in the mean time, of course, they've faded away.”
Håkan Nesser

Johan Theorin
“The May sunshine makes both the trolls and the elves disappear, he thought. They burst like soap bubbles. Only human beings remain, for a little while. We are a brief song beneath the sky, laughter in the wind that ends in a sigh. Then we too are gone.”
Johan Theorin, Blodläge

Håkan Nesser
“The ritual works. The forms overcome doubts. We have learned over the centuries to weave meaning around emptiness and pain. A meaning and a pattern. We have been practising that for a very long time.”
Håkan Nesser, Der unglückliche Mörder

James  Thompson
“Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.”
James Thompson, Snow Angels

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