John

“It [the Audi] has those new wave-shaped headlights, Ove notes, presumably designed so that no one at night will be able to avoid the insight that here comes a car driven by an utter shit.”
― Fredrick Backman

“The notion that I had walked twelve hundred miles since Rotterdam filled me with a legitimate feeling of something achieved. But why should the thought that nobody knew where I was, as though I were in flight from bloodhounds or from worshipping corybants bent on dismemberment, generate such a feeling of triumph? It always did.”
― Patrick Leigh Fermor, A Time of Gifts

“Such colourless phrases as he achieved were produced with a difficulty, a hesitancy, simulated perhaps, but decidedly effective in their unconcealed ineptness. Like most successful men, he had turned this apparent disadvantage into a powerful weapon of offense and defense, in the way that the sledge-hammer impact of his comment left, by its banality, every other speaker at a standstill, giving him as a rule complete mastery of the conversational field. A vast capacity for imposing boredom, a sense of immensely powerful stuffiness, emanated from him, sapping every drop of vitality from weaker spirits.
"So you were at school together," he said slowly.”
― Anthony Powell, The Kindly Ones

“Sir Magnus Donners himself appeared to greet his guests at exactly the same moment. I wondered whether he had been watching at a peephole. It was like the stage entrance of a famous actor, the conscious modesty of which is designed, by its absolute ease and lack of emphasis, both to prevent the performance from being disturbed at some anti-climax of the play by too deafening a round of applause, at the same time to confirm--what everyone in the theater knows already--the complete mastery he possesses of his art. The manner in which Sir Magnus held out his hand also suggested brilliant miming of a distinguished man feeling a little uncomfortable about something.”
― Anthony Powell, The Kindly Ones