Thora

“The Abominable Unau, thirty feet tall it lurches toward you, sickle claws protruding from furry stumps, long front legs stretching like the arms of a witch reaching across a table to read a palm. Through veils of snow appears a nose with the contours and padding of a leather recliner, infringing on space that should have been reserved for its tiny eyes.

Allegedly erased from the ledger of life, presumed to have plunged into that mass grave awaiting us all, it stands triumphant, in absolute defiance of Time and Nature and all man’s theories and measurements, which measure nothing at all, not even man. The wind howls in disbelief at this zombie returned from the dead. It throws back its head and makes a deep gurgling noise that sends tremors across the ground.

In lieu of girding your loins, you wet them. It stoops until its nose is inches from your face. The breeze from its inhalation sucks your hair straight up. How do you appear to it, as the pinnacle of creation, the raison d’être of existence, the summon bonum of Being, a member of the almighty species who spread its fungal growth to the moon, erecting temples to vanity in the dark heavens? Does it know man hath dominion over it, or does it see a bug too big to eat in one bite?”
― Petronius Jablonski, Mount Silenus: A Vertical Odyssey of Extraordinary Peril

“Unless suffering is the direct and immediate object of life, our existence must entirely fail of its aim. It is absurd to look upon the enormous amount of pain that abounds everywhere in the world, and originates in needs and necessities inseparable from life itself, as serving no purpose at all and the result of mere chance. Each separate misfortune, as it comes, seems, no doubt, to be something exceptional; but misfortune in general is the rule.
I know of no greater absurdity than that propounded by most systems of philosophy in declaring evil to be negative in its character. Evil is just what is positive; it makes its own existence felt.”
― Schopenhauer, Arthur

“Crisp leaves enshroud Milwaukee, never as beautiful in life as they are in death. All rejoice in the tomb of summer, frolicking in the burial ground of a time that is no more. This remorseless decomposition, land of nostalgia and déjà vu, idyllic for football and hunting and lakefront bonfires at night, it calls from a place beyond instinct, one primal or mystical and ineptly mapped by our concepts. If Nature speaks through her patterns, what are we to make of this delirious paean to necrophilia, this hypnotic Ode to Mortality?”
― Petronius Jablonski, Schrodinger's Dachshund: A Novel of Espionage, Astounding Science, and Wiener Dogs

“The stars, are they not confetti? There is a direct relation between the number of them and the triviality of you. Squint your eyes. The constellation of a long slender hound appears, marking the heavens more objectively than dippers or crabs or bowmen. Trace it with your finger. The dog glares as if perturbed by your discovery. Heaven is not a Rorschach after all.

Perhaps the ancients didn’t name him for a reason, or only spoke the name during ceremonies where his guidance was sought, his wrath placated. They looked to the stars and the stars looked back. What became of them? Survival was not among the blessings from this deity. His ferocity makes him more humanlike than one of love. Close your eyes and seize the earth. So solid. So flat and stationary. Your senses are liars and fools.

“What about those other universes he was talking about?” you whisper, assuming the fetal position. It worked once. “Screw it. All politics is local. As long as they aren’t connected they don’t dilute the significance of this one.”

The hound in the sky continues to scowl, as he did before you were born, before all men were born.”
― Petronius Jablonski, Schrodinger's Dachshund: A Novel of Espionage, Astounding Science, and Wiener Dogs