韻伶 鄭

“Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.”
― Wassily Kandinsky, Concerning the Spiritual in Art

“The best colour in the whole world is the one that looks good on you.”
― Coco Chanel

“The destruction of sight, wherever the injuries be sustained, follows
the same law: all colors are affected in the first place,and lose their
saturation. Then the spectrum is simplified, being reduced to four and
soon to two colors; finally a grey monochrome stage is reached,
although the pathological color is never identifiable with any normal
one. Thus in central as in peripheral lesions ‘the loss of nervous substance results not only in a deficiency of certain qualities, but in the
change to a less differentiated and more primitive structure’.”
― Maurice Merleau-Ponty, Phenomenology of Perception

“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”
― James Joyce, A Portrait of the Artist as a Young Man