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"Motivated by his insurmountable insecurity and inferiority complex, the protagonist-writer gives a taxonomically detailed account of what everyone around him (perceived as cooler than him) says and looks like." — Aug 20, 2024 08:39PM
"Motivated by his insurmountable insecurity and inferiority complex, the protagonist-writer gives a taxonomically detailed account of what everyone around him (perceived as cooler than him) says and looks like." — Aug 20, 2024 08:39PM
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"It’s unfathomable that it was so common for government clerks to be so soulful." — Apr 30, 2024 05:22PM
"It’s unfathomable that it was so common for government clerks to be so soulful." — Apr 30, 2024 05:22PM
“There's the life and there's the consumer event. Everything around us tends to channel our lives toward some final reality in print or on film. Two lovers quarrel in the back of a taxi and a question becomes implicit in the event. Who will write the book and who will play the lovers in the movie? Everything seeks its own heightened version. Or put it this way. Nothing happens until it's consumed. Or put it this way. Nature has given way to aura. A man cuts himself shaving and someone is signed up to write the biography of the cut. All the material in every life is channeled into the glow. Here I am in your lens. Already I see myself differently. Twice over or once removed.”
― Mao II
― Mao II
“Victims. Victims of a transitional period of morality. That is what we both certainly are.”
― The Setting Sun
― The Setting Sun
“...I give you the mausoleum of all hope and desire...I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.”
― The Sound and the Fury
― The Sound and the Fury
“And with a relentlessness that comes from the world's depths, with a persistence that strikes the keys metaphysically, the scales of a piano student keep playing over and over, up and down the physical backbone of my memory. It's the old streets with other people, the same streets that today are different; it's dead people speaking to me through the transparency of their absence; it's remorse for what I did or didn't do; it's the rippling of streams in the night, noises from below in the quiet building.
I feel like screaming inside my head. I want to stop, to break, to smash this impossible phonograph record that keeps playing inside me, where it doesn't belong, an intangible torturer. I want my soul, a vehicle taken over by others, to let me off and go on without me. I'm going crazy from having to hear. And in the end it is I – in my odiously impressionable brain, in my thin skin, in my hypersensitive nerves – who am the keys played in scales, O horrible and personal piano of our memory.”
― The Book of Disquiet
I feel like screaming inside my head. I want to stop, to break, to smash this impossible phonograph record that keeps playing inside me, where it doesn't belong, an intangible torturer. I want my soul, a vehicle taken over by others, to let me off and go on without me. I'm going crazy from having to hear. And in the end it is I – in my odiously impressionable brain, in my thin skin, in my hypersensitive nerves – who am the keys played in scales, O horrible and personal piano of our memory.”
― The Book of Disquiet
Brown University Class of 2020
— 19 members
— last activity Jul 31, 2016 04:33AM
A book group for Brown University's Class of 2020! ...more
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