Rose
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The Myth of Sisyphus
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Walter Murch
“Let’s say that the average age in the audience is twenty-five years. Six hundred times twenty-five equals fifteen thousand years of human experience assembled in that darkness—well over twice the length of recorded human history of hopes, dreams, disappointments, exultation, tragedy. All focused on the same series of images and sounds, all brought there by the urge, however inchoate, to open up and experience as intensely as possible something beyond their ordinary lives.”
Walter Murch, In the Blink of an Eye: A Perspective on Film Editing
tags: cinema

Javier Marías
“The tongue in the ear is also the kiss that most easily persuades the person who appears reluctant to be kissed, sometimes it isn't the eyes or the fingers or the lips that overcome resistance, but simply the tongue that probes and disarms, whispers and kisses, that almost obliges. Listening is the most dangerous thing of all, listening means knowing, finding out about something and knowing what's going on, our ears don't have lids that can instinctively close against the words uttered, they can't hide from what they sense they're about to hear, it's always too late.”
Javier Marías, A Heart So White

Jamie O'Neill
“Well, no boy loves his chum, or no boy says he does. But he answered, I do.

I do, he answered as in some preposterous dissenting nuptial. And MacMurrough remembered how touching it was that a young fellow in a stranger's bed should say that he loved his friend.”
Jamie O'Neill, At Swim, Two Boys
tags: gay, love

Walter Murch
“The theatrical/cinematic experience is really born the moment someone says, “Let’s go out.” What is implicit in this phrase is a dissatisfaction with one’s familiar surroundings and the corresponding need to open oneself up in an uncontrolled way to something “other.” And here we have the battle between motion pictures in the home and cinema, for I’ll venture that the true cinematic experience can’t be had in the home, no matter how technically advanced the equipment becomes.”
Walter Murch, In the Blink of an Eye
tags: cinema

Javier Marías
“Sometimes I have the feeling that nothing that happens happens, that everything happened and at the same time didn't, because nothing happens without interruption, nothing lasts or endures or is ceaselessly remembered, and even the most monotonous and routine of existences gradually cancels itself out, negates itself in its apparent repetitiveness until nothing is anything and no one is anyone they were before, and the weak wheel of the world is pushed along by forgetful beings who hear and see and know what is not said, never happens, is unknowable and unverifiable. Sometimes I have the feeling that what takes place is identical to what doesn't take place, what we dismiss or allow to slip by us identical to what we accept and seize, what we experience identical to what we never try, and yet we spend our lives in a process of choosing and rejecting and selecting, in drawing a line to separate these identical things and make of our story a unique story that we can remember and that can be recounted, either now or at the end of time, and thus be erased or swept away, the annulment of everything we are and do. We pour all our intelligence and our feelings and our enthusiasm into the task of discriminating between things that will all be made equal, if they haven't already been, and that's why we're so full of regrets and lost opportunities, of confirmations and reaffirmations and opportunities grasped, when the truth is that nothing is affirmed and everything is constantly in the process of being lost. There's no such thing as a whole or perhaps there never was anything.”
Javier Marías, A Heart So White
tags: life, truth

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